hearts of space | news

PGM 1200 'SPACE GUITAR SUPERSTARS' : dec.14-21

This week, dear spacefan, we reach another milestone in our journey through musical time and space, with our 1200th transmission in the Hearts of Space series. It's taken 35 years. 

On these centennial programs, we like to take a retrospective look back at the music we feature, often documentary-style, rather than our normal uninterrupted format. (Of course, if you listen on our web site or with our mobile apps, you can turn off the voiceovers with one click or tap and still hear uninterrupted music.) 

This time we focus on the evolution of the electronic and ambient guitar since the 1970s—on Part 1 of a two-part program called SPACE GUITAR SUPERSTARS. 

And let's admit right up front that even with two hours, the subject is so extensive that we can't possibly include every artist who's made a contribution: these are just some of the highlights we've featured on Hearts of Space. 

Let's first recall that in the mid-20th century musical world of ERIC CLAPTON and JIMI HENDRIX, the electric guitar was transcendent—the lead voice and dominant sound in popular music. 

But the confluence of musical innovation, new audio technology, and psychedelic drugs led to an unexpected development: the electric guitar became electronic, and with "effects" the sound of the instrument expanded and de-materialized into a vehicle for travel in virtual acoustic space. 

SPACE GUITAR SUPERSTARS (Part 1)... on this transmission of Hearts of Space.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1130R 'TOWARDS THE LIGHT' : dec.7-14

In the early days of December, we leave behind the trials and tribulations of the year past and focus on the annual rituals of the holiday season. In the shortest days and longest nights of the year, light itself becomes the theme, and an integral part of the year-end religious celebrations.

Whether it's traditional, commercial or spiritual, the music of the season takes on a festive, energetic air, culminating in the dazzling celebrations of the new year. It's a time for generosity, optimism, and hope.

On this transmission of Hearts of Space we celebrate the spirit of the season, on a journey called TOWARD THE LIGHT.

Music is by MATTHEW STEWART, SUBDREAM, FORT FAIRFIELD, DAVID HELPLING, TRENTEMØLLER, JUTA TAKAHASHI, STEVE ROACH & ROBERT LOGAN, BRIAN ENO, and MAX RICHTER.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1199 'WINTER STRINGS' : nov. 30 - dec. 6

December arrives on the heels of the Thanksgiving holiday, and we settle into winter in earnest. From the chilly forest countries of northern Europe—Germany, Poland, Ukraine, England and Estonia—comes a post-modern neo-classical music that's traditionally tonal and modal—warm, slow and contemplative. It's a deliberate step away from the old avant-garde frontiers of atonality and serialism to a style that's spiritually resonant and broadly popular. 

On this transmission of Hearts of Space, a program called WINTER STRINGS. Music is by MAX RICHTER, ARVO PÄRT, VALENTIN SILVESTROV, FRANZ SCHUBERT, STEFANO SCODANIBBIO, HENRYK GÓRECKI, BEN LUCAS BOYSEN, and LUDOVICO EINAUDI.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1028R 'SHADOWLANDS' : nov.23-30

Now there's a winning combination: the classic floating keyboard sound of German synthesist KLAUS SCHULZE, and the cor Anglais or English horn — actually neither English nor a horn, but an alto oboe, a member of the double reed family. They go together like peaches and...well, just pick your favorite food analogy.

While earlier artists often drew purist lines between electronic and acoustic instruments, today it's all fair game for the architects of space and Ambient music. And why not? It brings us the magic combination of unlimited electronic sound design, and traditional instrument expression.

On this transmission of Hearts of Space...a journey in the dark forests and electro-acoustic soundscapes of late autumn, on a program called SHADOWLANDS. Music is by KLAUS SCHULZE, HAROLD BUDD, CHRONOTOPE PROJECT, FRORE, DIATONIS, MARK BANNING, and DAVID HELPLING & JON JENKINS.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1198 'LITTLE ETERNITIES' : nov.16-23

You may be surprised to learn that in philosophy, there are two kinds of eternity: one exists outside of time; the other exists within time but is of indefinite duration. That kind of eternal is called sempiternity or everlastingness. 

Whichever kind of eternity you prefer, the idea of something that goes on forever, endless and infinite, has a powerful psychological appeal in an age of rapid, constant, disorienting change. It's a radical absolute—one of the few concepts religion, science and philosophy share; and more therapeutically, a place where our overburdened minds can go to rest. 

Inspired by these heady speculations, contemporary composers have sought to create a kind of timeless music. Whether acoustic or electronic or both, it creates a sense of unlimited time in musical space. On this transmission of Hearts of Space, we seek the timeless...on a program called LITTLE ETERNITIES.

Music is by JÓHANN JÓHANNSSON, CHAD LAWSON, TALE OF US, TOM CAUFIELD, KEVIN KELLER, ÓLAFUR ARNALDS, A WINGED VICTORY FOR THE SULLEN, and JEFF GREINKE.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1197 'TWILIGHT EARTH 4' : nov. 9-16

The dulcet tones of the Native American cedar flute have inspired a soothing sub-genre of contemplative music. Pioneered by native musicians from the American Southwest, over the last 30 years the genre has attracted non-native musicians, who expanded into electronics and exotic percussion. It's a sound we enjoy in the fall, when it complements the mellow light and withering colors of the landscape, and evokes the vast, echoing canyons of the high desert. 

On this transmission of Hearts of Space, an Indian Summer journey for Native American cedar flute, on a program called TWILIGHT EARTH 4.

Music is by ANN LICATER, COYOTE JUMP, COYOTE OLDMAN, BYRON METCALF, JOHNNY WHITEHORSE, PAMELA WHITMAN & RICH KURTZ, TONY GERBER, MYSTERIES OF THE NIGHT, and SCOTT AUGUST.

 [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1160R "ARCHAIC CONCERTS' : nov. 2-9

Hearts of Space was born and raised during the formative years of electronic music in the 1970s and 80s. Because we've been covering the ambient side of its evolution for over forty years, the program has often been associated primarily with electronic music. 

But since the very beginning, we've always given almost equal time to traditional, purely acoustic forms of contemplative, space-creating music, as well as "electro-acoustic" hybrids. The reason was simple: long before electronics, there were centuries of music from dozens of world cultures that not only offered profound listening experiences — they defined and set the standard for what music can be. 

To be sure, electronics opened up vast new tonal and expressive dimensions for contemporary music — but we still return to traditional acoustic music, sit in virtual palace halls on ancient nights, and drink from the source of musical language. 

On this transmission of Hearts of Space, contemplative sounds on venerable acoustic instruments, on a program called ARCHAIC CONCERTS. The title is taken from the 1976 debut album of the unique German musician STEPHAN MICUS, who inspired, and is featured, in this program. 

Music is by STEPHAN MICUS, MYSTIC JOURNEY, MICHEL BANABILA & MEHMET POLAT, HANS CHRISTIAN, DJIVAN GASPARYAN, and SHUNSUKE MIZUNO.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ] 

 

PGM 1196 'GHOSTLY SHADOWS' : oct. 26-nov. 3

Halloween comes at the end of October, a very different celebration of the dark side of the human psyche. It's the time we willingly immerse ourselves in stories of death, fear, the supernatural...and the myths and rituals we create around them. 

Credit for the tradition generally goes to our Celtic ancestors, who combined the old pagan harvest celebration of Samhain—with its exciting nighttime bonfires—and the three-part Christian festival of Allhallowtide: a mournful commemoration of recently departed souls, saints and martyrs, whose spirits were said to wander the earth at this time of year in search of...hospitality. 

These traditions are a rich creative field for musicians of the "Dark Ambient" genre. They weave together deep drones, disembodied voices, melancholy wailing, frigid bells, and gloomy strings—with a dark galaxy of powerful electronic and environmental effects to create truly epic electro-acoustic worlds—soundtracks to films you'd rather hear...than see. 

On this transmission of Hearts of Space, a gloomy-stormy-floaty Dark Ambient journey, on a program by Canadian guest producer DAVID J. EGAN called: GHOSTLY SHADOWS.

Music is by DARK SANCTUARY, THE GHOST BETWEEN THE STRINGS, ARKTAU EOS, TAPHEPHOBIA, NEVOD, LUSRUTA, BASS COMMUNION, SKAVEN, DEAN DE BENEDICTUS, and NEST.

 [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

 

PGM 1195 'DESCENDING DARK 2' : oct.19-26

This could be the sound of the Sugar Plum Fairies in the netherworld — we're coming up on Nutcracker time, after all — but no: it's the on-ramp to a journey into the cooling, darkening, deepening autumn soundscape. It's time to join the animals and prepare for the long winter ahead; time to focus, plan and complete those lingering projects, and get together with friends you missed over the summer. 

On this transmission of Hearts of Space, a seasonal electronic journey in the autumn soundscape, on a program called DESCENDING DARK 2. 

Music is by SLEEPY TOWN MANUFACTURE, SOLARIS, PAULINA CASSIDY, DEBORAH MARTIN, KIT WATKINS, KLAUS SCHULZE, ERRANT SPACE, and BOB HOLROYD.

 [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

 

PGM 1194 'EAST MEETS NORTH' : oct. 12-19

In 35 years of Hearts of Space, there've only been a handful of occasions when we devoted an entire program to a single album or composition. This week we do it with a superb collaboration between Iranian singer MAHSA VAHDAT and Norway's 50 voice SKRUK CHOIR, under the direction of PER ODDVAR HILDRE, with music and arrangements by the great Norwegian pianist TORD GUSTAVSEN from the album I VINENS SPEIL—In the Mirror of Wine. 

It's a journey across time, space, and culture, a moving encounter between traditional Persian songs, Norwegian church music, and jazz. A program called EAST MEETS NORTH, on this transmission of Hearts of Space.

 [ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]