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PGM 1073R 'DREAMS OF SPRING' : apr. 9-16

It's official: spring at last. After the proverbial long hard winter, spring takes on an almost mythic appeal. Of course, here in California, it's been spring on and off for several months. So first, our sympathies to those whose winter must have seemed interminable.

The music of spring expresses renewal and rebirth, with energy, buoyancy, optimism and hope for the season to come. Ambient composers mix flowing water and other natural sounds into their compositions, along with airy, ethereal flutes and keyboards, to create nature-inspired meditations.

On this transmission of Hearts of Space, an ambient excursion for the season, on a program called DREAMS OF SPRING. Music is by DEUTER, PETER KATER, SHERRY FINZER, MANEESH DE MOOR, STEVEN HALPERN & MICHAEL DIAMOND, and (no kidding) CHRISTOPHER of the WOLVES.

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PGM 1278 'IMMORTAL MELODIES 2' : apr.2-9

No European musician has achieved the status of JOHANN SEBASTIAN BACH, who is regularly cited as the greatest composer in history. He dominated the Baroque era of 18th century Germany, and in retrospect, played a key transitional role in the evolution of Western classical music.

His virtuosity as a performer, productivity and brilliance as a composer, the vast range of his secular music and sublime profundity of his religious music — have never been equaled. An innovator in his time, he expanded the role of the pipe organ in the church and embraced new styles, while his adoption of the "well-tempered" scale set the course for the future.

Beyond its breadth, depth, intellectual and emotional power, the appeal of Bach's music can be attributed to something more basic: Bach was a master of melody. The spacious lyricism of his chorales and contemplative arias creates an atmosphere of sacred mysticism that's as relevant today as it was in Baroque Germany.

On this transmission of Hearts of Space from our regular guest producer for classical and sacred music ELLEN HOLMES, an all-Bach program called IMMORTAL MELODIES 2. Performances by pianists CHAD LAWSON, MARTA & GYORGY KURTÁG, and ANNA GOURARI, cellists YO-YO MA and ELISE ROBINEAU, organists FRANZ HAUK and OLIVIER LATRY, and strings by FRETWORK, the BBC PHILHARMONIC and the BBC SYMPHONY.

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PGM 1277 'SECRETS OF THE STARS' : mar.26-apr.2

It's well established that electronic music naturally creates images of cosmic space. Almost fifty years ago, it was given the logical name: spacemusic. The genre has two common modes: flying music is rhythm-powered and goal-oriented, moving through space bound for distant galaxies; floating music is static and timeless, resting peacefully in vast, silent starscapes.

As the genre evolved, electronic composers gave expression to the drama in the supreme adventure of exploring the cosmos — a feeling we share today even on missions close to our home planet. They ask the existential and extraterrestrial questions: Who are we? and Are we alone?

On this transmission of Hearts of Space, it's another cosmic-electronic journey, on a program called SECRETS OF THE STARS. Music is by EXTRAWORLD, STARTERRA, DAVE LUXTON, SEABAT, JONN SERRIE,  DREAMSTATE LOGIC, and JAJA.

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PGM 1276 'SIX STRING SPRING' : mar.19-26

This week we transit the Spring Equinox, the official beginning of spring and a good time to check in on the ambient space guitar. Acoustic or electric, live or sampled, looped or direct, straight up or processed, folk, jazz, or classical — even in the electronic age, the venerable six string guitar continues to make itself indispensable almost everywhere music happens.

Guitarists of the Ambient persuasion take it slow, quiet, and spatially expanded, leaving the virtuosic fireworks to their rock brothers and sisters. Occasionally...a heroic rock guitarist like JEFF BECK or BUCKETHEAD will journey to the contemplative side of the instrument just to do something completely different.

On this transmission of Hearts of Space, a spacey, twangy, laid-back, subtle, turn-of-the-season journey for ambient guitar — on a program called SIX STRING SPRING. Music is by CHRIS HAUGEN, LISA BELLA DONNA, CLAES NILSSON, CARL WEINGARTEN, BLUE STAR, and TONY GERBER, with PHIL KEAGGY and DREAMHUB. 

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PGM 974R2 'THE CELTIC ROAD' : mar. 12-19

This week, dear listeners, we come once again to our yearly celebration of all things Celtic. Though the time has passed when Celtic music was trending, it's a tradition that continues to evolve. Ireland has boomed and bust, and through it all the beauty and spirit of Celtic music has continued to charm audiences around the world, with its brilliant dances and heartfelt airs and ballads.

In the poetic imagination of the Celtic bards and troubadours, travel metaphors are as common as thoughts of home. On this transmission of Hearts of Space, we take another journey across those green and rocky lands, on a program called THE CELTIC ROAD.

Music is by DAVY SPILLANE, MOYA BRENNAN, LISA LYNN & ARYEH FRANKFURTER, LOREENA McKENNITT, AINE MINOGUE, DAVID ARKENSTONE, BRAGH ADAIR, and JAMES GALWAY & PHIL COULTER.

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PGM 1275 'OPTIMISM' : mar. 5-12

I think we can all agree that the last year of the pandemic — from March 2020 to March 2021 — has been one of the most difficult, disrupted, and disheartening in American history. One memorable commercial starring the devil and his girlfriend dubbed it "The Year From Hell." No one argued.

The unprecedented strain on our collective nerves led to a boom in therapeutic, calming, psychologically healing music and media. Much of it here on Hearts of Space was dark and melancholy, reflecting feelings of fear, isolation, depression, and loss.

With the arrival of powerful vaccines and new management, things have finally started to improve. And while it's not yet time to celebrate, we've begun to allow ourselves a positive view of the future. Optimism emerges when hope turns into real, positive change. Like prayer, hope is intangible—a hazy image of a better future. Optimism is hope fulfilled, based on real events and how they're moving.

Optimism inspires music with a positive tone, fresh energy, a sense of comfort, and expanding possibilities. It's a rest stop on the road to joy. On this transmission of Hearts of Space, optimistic ambient for improving times, on a program called — OPTIMISM.

Music is by THIERRY DAVID, DAVID HELPLING, DIGITONAL, and LIQUID MIND.

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1206R 'WINTERTRONIC' : feb.26-mar.5

Winter...has a way of overstaying its welcome. After several months of sullen skies, numbing cold, and too many days of frigid rain, sleet, or snow—even the most ardent champions of the season fall silent. We've arrived...at forbearance. 

Here in California, the trees blossom in mid-February regardless of the weather. After a big rain, the ground is strewn with pink and white petals. Soon the storms will taper off and spring will arrive. For most of the country though, there's still a long time to wait. 

Ambient electronic artists find inspiration in the winter atmospheres, and create music with dark drones, virtual storms, chilled tones, and monochromatic harmonies. On this transmission of Hearts of Space, it's another wintry journey on electronic waves — on a program called WINTERTRONIC.

Music is by TRANSPONDER, HOLLAN HOLMES, SOLARIS, NETHERWORLD, BLUETECH, KIRSTY HAWKSHAW, JANNE HANHISUANTO, and ILUITEQ.

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PGM 1274 'SOLEMN HOPE' : feb.19-26

The ambient-neoclassical duo of pianist DUSTIN O'HALLORAN and electronic musician ADAM WILTZIE — collectively A WINGED VICTORY FOR THE SULLEN — have a name that not only sets them apart, but needs some explanation.

As you might expect for two Americans who met in Italy while touring, their music has more to do with European art than their roots in California and Texas. It starts with the Greek goddess Nike, who became the Roman goddess of victory, conveniently named Victoria. She's familiar to students of art history as a triumphal winged figure on coins, jewelry, and architecture. Her most famous monument is The Winged Victory of Samothrace, now in the Louvre—a masterpiece of Hellenistic sculpture and the very classical embodiment of the spirit of triumph.

So it's a stroke of post-classical genius to address their work to "the sullen," and a shrewd way of managing the expectations of a possibly cynical post-modern audience: the regal pace and transcendent beauty of their music brings a feeling of quiet reassurance. They're members of a popular group of modern classical composers with an integral ambient sensibility. On this transmission of Hearts of Space, reassuring neo-classical ambient for trying times, on a program called SOLEMN HOPE.

Music is by A WINGED VICTORY FOR THE SULLEN, TERJE RYPDAL, BEN LUKAS BOYSEN, JÓHANN JÓHANNSSON, JEFF GREINKE, VOLKER BERTELMANN & DUSTIN O'HALLORAN, and SLOW MEADOW.

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PGM 1273 'MYSTIC METALS 2' : feb.12-19

BELLS, BOWLS, and GONGS — charter members of the struck idiophone family of resonant percussion.

BELLS originated in Neolithic China in the 3rd millennium BC. They were made of bronze, glass, ceramic, or minerals like quartz with a crystalline molecular structure. When formed into a circular cup shape and struck, bells produce a pitched tone and harmonics, which fade away slowly. Mechanical resonance gives bells their characteristic ringing sound.

GONGS are another member of the resonant percussion family from East and Southeast Asia. Suspended gongs are flat circles that produce clouds of sound without a central pitch; bossed gongs have a raised center, and are tuned to produce pitched tones.

BOWLS or more accurately bowl gongs, are both; they start as a flat circle like a gong, and are then bent into a bowl shape like a bell. They also produce a pitched tone and are often called singing bowls.

So much for the physics — the real mystery is the metaphysics. For millennia, these simple instruments have been used for ritual and ceremony, religious services, meditation and contemplative experience. Today there's a quiet boom in subtle, psychoactive sound, with hundreds of dedicated artists creating "deep listening" concerts, "sound baths," and recordings. On this transmission of Hearts of Space, the wintry tones of bells, bowls and gongs, on a program called MYSTIC METALS 2.

Music is by JARGUNA, HANS CHRISTIAN, KARMA MOFFET, SATORIO, SHAWN FEENEY, SCOTT LAWLOR, and THE LOVELY MOON.

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PGM 1272 'RESONANT HEART' : feb. 5-12

In Part 1 of our posthumous retrospective of cellist DAVID DARLING called 'RESONANT DARK,' we focused on his groundbreaking early albums for the German ECM label. Darling told the story of his first session with ECM producer MANFRED EICHER, who set the agenda definitively by saying "I want you to go as deep as you can go." In ten albums from 1980 to 2000, they did just that, defining and setting a standard for darkly serious ambient chamber music.

But there was other music in David Darling's heart. In the early 1990s, he began to pursue a more varied, romantic, even playful direction in recordings for other labels. Rather than the two day recording schedule at ECM, he took his time. Working with patient, supportive engineer/producers like MICKEY HOULIHAN and TOMMY SKARUPA, Darling achieved new heights of beauty in his solo recordings, collaborated generously with other artists, and broadened his appeal. Through it all, he continued to inspire, teaching and leading improvisation workshops for his non-profit organization Music For People, and working with spiritual teachers like AL HUANG, SYLVIA NAKKACH, and COLEMAN BARKS.

On this transmission of Hearts of Space, we focus on David Darling's post-ECM recordings EIGHT STRING RELIGION, CELLO BLUE, GRATITUDE, HOMAGE TO KINDNESS, and his Grammy-winning PRAYER FOR COMPASSION.

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