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PGM 1262 'MYSTIC CANYONS' : oct. 16-23

The gentle tones of the Native American cedar flute have propagated far beyond their origin — a rare case of a humble ethnic instrument succeeding on natural charm and sonic appeal. Resurrected from decades of cultural neglect by native musicians in the mid 20th century, it proved to be a versatile and satisfying instrument for both amateur and professional musicians. We like to revisit it in the fall, when its pentatonic minor scale seems to magically express the deepening energy and complex colors of the season.

On this transmission of Hearts of Space, a Southwest autumn journey featuring the Native American flute called MYSTIC CANYONS. Music is by COYOTE OLDMAN, JONN SERRIE & GARY STROUTSOS, SCOTT AUGUST, JOHNNY WHITEHORSE, JAMES MARIENTHAL, SHERRY FINZER, JOHN HULING, and KENNETH HOOPER.

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PGM 1261 'SACRED SONGS 2' : oct.9-16

The traditions of sacred music and contemplative song are found in almost every culture on earth. They bring beauty, peace, and emotional fulfillment to millions. Since the mid 20th century, the sacred sounds of exotic world cultures have become increasingly popular with western listeners, even though they sound nothing like western sacred music. Despite our increasingly secular culture, sacred song maintains a special place in our holiday celebrations, and contemplative music provides a much-needed balm for battered spirits.

On this transmission of Hearts of Space, deep song, devotional chant, sacred hymns, and contemplative instrumentals from Spain, the Middle East and India, on a program called SACRED SONGS 2. Music is by ADAM HURST, YUVAL RON & flamenco singer ESTRELLA MORENTE, MICHEL BANABILA, AZAM ALI & LOGA RAMIN TORKIAN, DEVA PREMAL, and SERENA GABRIEL & STEVE ROACH.

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PGM 1231R 'FALLING' : oct. 2-9

THE SUN begins its long withdrawal from the northern hemisphere after the summer solstice in June. After the autumn equinox in September, the transition seems to accelerate. The days grow shorter, the nights grow longer, and the temperature cools, while the natural world changes color and prepares for the winter to come.

Since medieval times we've called this season "fall." The word comes from Middle English, with Old English and Old German roots. Falling implies movement downward, and in autumn declining solar energy brings a feeling of descending or falling into the season. In music it's marked by slowing tempos, descending chord progressions, darkening timbres, and wistful, even melancholy emotions.

On this transmission of Hearts of Space, we descend into the autumn soundscape, on a program called FALLING. Music is by DAVID DARLING, JOEP BEVING, CHRISTOPHER TIGNOR, HAMMOCK, LUDOVICO EINAUDI, and TOM EATON.

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PGM 1260 'CALM ABIDING' : sept.25 - oct.2

The theory and practice of Indo-Tibetan Buddhist meditation seem ideally suited to confronting the stressful challenges we're now living through in the wake of the Covid-19 pandemic.

Through a form of meditation called śamatha or "single-pointed attention," the meditator achieves vipaśyanā — in English vipassana or insight — "seeing into the nature of things." In Sanskrit, śamatha means "tranquility of mind," often called "calm abiding." Śamatha has five progressive stages: stable attention, powerful mindfulness, joy, tranquility, and finally, equanimity. The practice of calm abiding leads to insight.

Without any formal connection to Buddhist meditation but because of common goals, we can find śamatha in the deeper, quieter, more contemplative forms of ambient music. On this transmission of Hearts of Space, a Buddhist-inspired ambient meditation, on a program called CALM ABIDING. Music is by ROBERT RICH, SPUNTIC, SAM ROSENTHAL & JARGUNA, NUMINA & ZERO OHMS, and KEITH BERRY.

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PGM 1158R 'EQUILUX' : sept.19-26

Twice a year, we pass a point of balance and equilibrium in the progression of the seasons. Our planet reaches the place in its celestial journey where the center of the sun rises and sets directly over the equator, and day and night are of approximately equal length everywhere on earth. We call these times the equinox from the Latin for "equal night." A less common but possibly more correct name is equilux or "equal light." 

The September equinox marks the beginning of the new season: autumn, and the time of harvest festivals in the northern hemisphere. On this transmission of Hearts of Space, calm and balanced acoustic ambient for the seasonal transition, on a program called EQUILUX.

Music is by PETER BRODERICK, LUDOVICO EINAUDI, FEDERICO ALBANESE, TOM EATON, FLOW, CARL WEINGARTEN & CATHERINE MARIE CHARLTON, GREG HAINES, A WINGED VICTORY FOR THE SULLEN, and ENZO.

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PGM 1189R 'DEEP DUB' : sept.11-18

The history of Jamaican Dub music is rich and fascinating. Dub grew out of reggae in the 1960s, and evolved well beyond its popular parent. It was a studio craft where producers created instrumental remixes of reggae tracks by removing the vocals, adding echo, reverb and delay, and dubbing in new ambient sounds. Essentially, Dub was an early form of popular electronic music.

If you think all this had something to do with cannabis, you'd be understating the case. In a 1982 essay, LUKE EHRLICH said: "With dub, Jamaican music spaced out completely. If reggae is Africa in the New World, then dub must be Africa on the moon; it's the psychedelic music I expected to hear in the 1960s...and didn't. The bass and drums conjure up a dark, vast musical portrait of outer space, with sounds suspended like glowing planets or the fragments of instruments careening by, leaving trails like comets and meteors."

Dub was a natural link to later electronic genres like techno, ambient, trip hop and electronic dance music. On this transmission of Hearts of Space, the trancey beats of Jamaican Dub and its electronic descendants, on a program from guest producer DAVID J. EGAN called DEEP DUB. Music is by JAH WOBBLE & MARCONI UNION, ORKUS, FINGERS IN THE NOISE, ECHO GRID, PURL & DEFLEKTION, LOSCIL, and MOTIONFIELD.

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PGM 1259 'MASTERS OF SPACE' : sept.4-11

Maybe it was just a coincidence, a timely convergence, but the era of space exploration that began in the 1960s was also a formative decade for electronic music. At the time, German experimental composer KARLHEINZ STOCKHAUSEN observed that there was a natural relationship between his electronic music and images of cosmic space. Maybe it was the drugs, but it seemed right.

In Germany, the late 1960s saw the rise of the "Kozmik Musik" genre; electronic nebulae blossomed all over Europe and the English speaking countries; SUN RA toured the world and played his own brand of Afro-cosmic funk, while JOHN COLTRANE and his wife ALICE released the album COSMIC MUSIC.

In the 1970's the COSMIC COURIERS record label was established, PROGRESSIVE ROCK went cosmic and became SPACE ROCK, BRIAN ENO invented Ambient, and PINK FLOYD became the biggest selling band in the world after Dark Side of the Moon. It was Good Times for space fans.

Today, electronic spacemusic is an established genre with a nice article in Wikipedia and a steady stream of significant new music from masters of the craft. On this transmission of Hearts of Space, a classic journey in the electronic starfields, on a program called MASTERS OF SPACE.

Music is by ERIK WØLLO & MICHAEL STEARNS, DAVID HELPLING & JON JENKINS, JON DURANT & ROBERT JÜRJENDAL, PHILLIP WILKERSON, and JEFF GREINKE.

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PGM 1258 'SIX STRING UNIVERSE' : aug.28-sept.4

In stressful times, we seek the comfort of the familiar, the predictable, the tried and true. And in music, that often means returning to the joys and pleasures of the acoustic guitar. It's not just the foundation of what JOHN FAHEY memorably called "American primitive guitar;" in addition to its role accompanying singers, as a solo instrument it's a rich vehicle for personal expression, creative innovation, and contemplative immersion.

On this transmission of Hearts of Space, we touch all those possibilities, on a program called SIX STRING UNIVERSE. Music is by CHRIS HAUGEN, FLOW, ALEX DE GRASSI, RICHARD OSBORNE, MATTHEW MONTFORT, and CLAES NILSSON.

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PGM 1257 'VISIONS OF INFINITY' : aug. 21-28

Let's talk about electronic music. As with acoustic instruments, we have freedom of expression with the core musical variables: melody, rhythm, tempo, and harmony. But we've gained the ability to create the tone, the timbre, the character, and even the spatial dimension of the electronic sound. In fact, the space or ambience of the sound becomes a fundamental artistic choice. Electronic music can create "soundscapes"—immersive images of virtual environments.

Unlike the literal sound images of acoustic instruments, these electronic images can be deliberately amorphous...boundless...endless...unlimited. They can imply vast, fluid, diffuse, virtual spaces, whose dimensions are perceptually infinite.

We can even make this quality the subject of the music, and call it "spacemusic"—a descriptive term that arose organically in the early days of popular electronic music. Today, ambient-electronic artists are creating sonic images of infinity—endless virtual spaces we can expand into, bathe in, savor, and explore.

On this transmission of Hearts of Space, the quest for unlimited spaces in electronic sound, on a program called VISIONS OF INFINITY. Music is by DEEPSPACE, STEVE ROACH, KEVIN BRAHENY FORTUNE, MAX CORBACHO, and JEFF PEARCE.

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PGM 1146R 'HELIOS' : aug.14-21

Let's hear it for The Sun, ladies and gentlemen. It's impossible to think of anything more important—to our very existence, our history, our evolution, and our future as a species. So it's a big subject: the sun is responsible for super-basic stuff like day and night, the year, the weather, and the climate. It's the key to almost all life on earth, the source of all our energy (one way or another), the key ingredient in everything we eat, and the indispensable element in our vacations. I mean, who wants to vacation in the rain?

Astronomically speaking, the sun is our home star, a member of the "yellow dwarf" class. It's 4.6 billion years old, over a hundred times bigger in diameter than earth, and weighs 330,000 times as much, despite being 98% hydrogen and helium—two of the lightest materials in existence. The sun is a bright sphere of superheated plasma; at its core is a nuclear furnace, where fusion of hydrogen atoms creates temperatures of almost 30 million degrees Fahrenheit, while the surface of the sun is a relatively balmy 10,000 degrees. We're 93 million miles away, and it still feels hot! 

The sun has been central to many human cultures and religions since prehistoric times. It's been worshipped as a deity and celebrated in myth, art and literature, especially in ancient Egypt. Those days are gone, but ambient electronic artists are still inspired by it. On this transmission of Hearts of Space...a tribute to the sun and its season, on a program called HELIOS.

Music is by SOLAR FIELDS, AES DANA, STEVE ROACH, ISHQ, ALPHA WAVE MOVEMENT, ERIC WØLLO, MAX CORBACHO, and HOLLAN HOLMES.

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