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PGM 1393 'DEEP TONES — a David Parsons tribute, Part 2 of 2' : mar.14-21

NEW ZEALAND MUSICIAN DAVID PARSONS—in retrospect one of the greatest (though less well-known) world-ambient-electronic musicians—passed away in February 2025 at 80. His recorded legacy is so innovative, extensive, and important, that we are doing a two-part tribute. Last week we repeated our first Parsons retrospective from 2003—"LONG TONES." This week we focus on music from the later years of his innovative musical career, on a program called "DEEP TONES."

Parsons was one of the earliest western musicians to embrace North Indian classical music, traveling to India in the late 1970s to study the sitar with female master KRISHNA CHAKRAVARTY.  Fascinated by the sound of drones and “long tones” in Indian music, Parsons was one of the first to recognize the connection between Indian classical and electronic music, and pioneered popular fusions between the genres.

In the late 1980s he went digital, incorporating samples of ethnic instruments, ambient sounds, and the chanting and ceremonial instruments of Tibetan Buddhist monks into his music. In the 1990s Parsons’ music became deeper, more abstract, and purely electronic. He released a series of albums using only synthesizers and custom electronic sounds he produced from basic oscillators and filters. He said he was trying to create "atmospheric and surrealistic landscapes into which the listener can place their own thoughts and images."

On this transmission of HEARTS of SPACE, "DEEP TONES"— Part 2 of our 2-part tribute to David Parsons.

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PGM 675R 'LONG TONES Part 1 of 2—David Parsons tribute' : mar. 7-14

New Zealand musician DAVID PARSONS had a unique and fascinating musical career. In fact, you probably couldn't make it up if you tried.

Back in the early 1960s, he was a jazz drummer, longing for a more melodic instrument.  Years before The Beatles brought the sitar to pop music, Parsons heard a recital in New Zealand by RAVI SHANKAR. That was it. Inspired to make the sitar his new instrument, he spent three years trying to get one imported into NZ, then 8 years teaching himself to play it. At that point he was ready to get serious!…and he made several trips to India to study with one of the few female sitar masters, KRISHNA CHAKRAVARTY. 

In the late 1970s, fascinated by the sound of drones and long tones, Parsons discovered the connection between Indian music and synthesizers, and began creating electronic-Indian music fusions.  In the late 1980s, he went digital, incorporating samples of ethnic instruments and ambient sounds from his travels in Asia, including the chanting and ceremonial instruments of Tibetan monks.

His record company hired him to document ethnic music, a project that took him to exotic places like Iran, Armenia, Cambodia, Vietnam, Bali, and Malaysia.  Like many of these cultures, his own music is rooted in India—with the melodic construction of the raga, the rhythmic cycles of the tala, and the extended, contemplative space of the alap.  He created dozens of amazing albums, and doesn't read a note of music.

David Parsons passed away in February 2025 at 80. On this transmission of Hearts of Space, part 1 of a 2 part DAVID PARSONS RETROSPECTIVE called "LONG TONES." 

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PGM 1392 'METALLOPHONIC 2' : feb.28 - mar.7

At the nadir of winter, the time of deepest cold and lowest natural activity, the sound of the resonant percussion family of instruments takes on a special appeal. The metallophones—bells, bowls, gongs, chimes, and cymbals—speak eloquently in the chilled, quiet air.

Whether used for religious ceremonies in ancient Buddhist mountain cultures like Tibet; for sound healing and therapeutic work; or for creative experimental music—these instruments have a sublime elegance and power.

On this transmission of HEARTS of SPACE, another winter journey for  resonant percussion, on a program called "METALLOPHONIC 2". Music is by SHAWN FEENEY, LAURA INSERRA, HANG MASSIVE, THOMAS BRETT, ED MANN, and KARMA MOFFETT.

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PGM 1068R 'WINTERTONES 2'

The latter days of winter bring a special kind of fatigue mixed with impatience. For residents of snow-crossed parts of the country, winter has begun to overstay its welcome; while here in California, the trees are blossoming, and February feels like spring.

As the sound of the season evolves, music of the far north and Arctic countries still resonates, connecting with contemplative acoustic mainstays like the cello and the piano. From deep minimalist patterns to Romantic melodicism, we find the soul and comfort to endure.

On this transmission of Hearts of Space, wintry acoustic spacemusic for the season, on a program called WINTERTONES 2. With Icelandic musicians OLAFUR ARNALDS and HILDUR GUTHNADOTTIR, cellist DAVID DARLING with SYLVIA NAKKACH and JACQUELINE TSCHABOLD BHUYAN, MICHAEL HOPPE & HAROLD MOSES, BRUNO SANFILIPPO, and RALPH ZURMUHLE. 

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PGM 1391 'NORTHERN LIGHTS 5' : feb.15-22

For ambient and electronic artists, the music of the winter season holds a special appeal. Dense drones, chilled harmonies, bright bells and percussion, and the psychoactive power of minimalist patterns — add up to a powerful palette of musical elements.

The small but artistically mighty countries of Scandinavia and the Arctic north produce far more than their share of world-class music across a wide range of contemporary genres and music for film. Nourishing it all is the influence of the extraordinary natural environment: the cold North Sea and volcanic islands, the dramatic coastal mountains and fjords, the vast boreal forests, the visual magic of fog, mist, and snow, and the otherworldly spectacle of the auroras—the famous northern lights.

On this transmission of Hearts of Space, wintry ambient from Scandinavia and the Arctic north to Northern California, on a program called "NORTHERN LIGHTS 5." Music is by ROBERT JÜRJENDAL, ERIK WØLLO, PHILLIP WILKERSON & CHRIS RUSSELL, SNOWDROPS, TERJE ISUNGSET & EIVIND AARSET, MARK BANNING (RIP), and JEFF PEARCE.

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PGM 1037R 'THE LONG NIGHT' : feb. 7-14

We're at the nadir of winter in the Northern Hemisphere...a time when the yearly journey around our native star seems arbitrary and endless. Battered by storms, challenged by cold, starved for light, we have no choice but to wait...for the return of the sun and the bright promise of spring.

It's a trial we repeat in miniature each long winter night, as we turn away from the sun into the cosmic darkness. But while we can escape most of the night in sleep, winter...must be endured. It's a test of fortitude and patience, a confrontation with our own desires for ease and comfort.

On this transmission of Hearts of Space, a nocturnal winter journey called "THE LONG NIGHT."  Music is by JEFF GREINKE, ROBERT RICH, A PRODUCE, STEVE ROACH & KELLY DAVID, SEAN WASHBURN, and NUNC STANS & MYSTIFIED.

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PGM 1390 'SILO' : jan.31-feb.7

In 2016, Icelandic film composer ATLI ÖRVARSSON was having a great career — working with industry heavyweights, scoring dozens of movies and TV series, and winning awards. But after more than a decade in Los Angeles, he was moved to return to his small hometown in the north of Iceland, build a film-scoring studio, create a record label for Icelandic artists, and help establish the scoring orchestra “Sinfonia Nord.”

All this has made tiny Iceland a new center for film and television scoring, helping to meet the expanded demands of the video streaming era. On this transmission of Hearts of Space, we have a great example: a journey into a post-apocalyptic dystopian future world, based on HUGH HOWEY’s “Wool” trilogy of science fiction novels, and inspired by the APPLE TV Plus Sci-Fi Series “SILO.”

We feature ATLI ÖRVARSSON’s brooding, powerful score from “SILO,” plus related music from HANS ZIMMER’s score for “INCEPTION" — on this transmission of Hearts of Space. 

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PGM 243 'SO DARK: a tribute to David Lynch' — jan. 24-31

If you’re old enough to have been watching network television in 1990, just the first two notes of this music should have sent an involuntary shiver down your spine. It conjures up atavistic, possibly suppressed, memories of the strange, disconcerting world of the late film and television director DAVID LYNCH—creator of the award-winning series “TWIN PEAKS,” who passed away in January, 2025.

It's a perfect example of the Lynch brand of “Visionary Surrealism,” a mixture of the banal, the beautiful, and the sinister —a juxtaposition of mysterious or menacing sounds and images with mundane, everyday environments. On this transmission of HEARTS of SPACE, a tribute to the banal, bizarre, beautiful, and disconcerting world of DAVID LYNCH, on a program called "SO DARK.”

Music is by ANGELO BADALAMENTI, JULEE CRUISE, TOM NEWMAN, JEFF GREINKE, and GABRIEL YARED.  

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PGM 1389 'ISOLATION' : jan.17-24

Last year, the Surgeon General of the United States released a report warning about “an epidemic of loneliness.” What’s being called “an anti-social century of self-imposed solitude” was becoming a social fact, with negative effects on health equivalent to tobacco or obesity.

In 2020, over half of Americans were unmarried, separated, divorced, or widowed. Of those, two thirds had never been married. In 2023, 38 million Americans were living alone—more than 30% of households—and three quarters of all restaurant business...was take-out. For those who did eat in a restaurant, dining alone had increased by 29%.

At the same time, the highly social entertainment business was moving to digital home delivery: video was booming, while theaters and clubs were closing. For those who did venture out, thanks to ear buds, music consumption on mobile phones created a class of “audio-isolated” individuals.

in the wake of these developments came an ambient music sub-genre called “Isolationist Ambient.” It creates a sense of being alone in vast, empty spaces. It’s an experience that has both positive and negative aspects: it can immerse listeners in sublime natural or virtual environments, with powerful psychological and physical benefits. Like meditation, it can lead to increased self-awareness, and respect for the natural environment. It can also deepen feelings of loneliness, depression, and despair.

On this transmission of HEARTS of SPACE, an ambient winter journey in solitary spaces, on a program called ISOLATION.

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PGM 1205R 'FROZEN TIME' : jan.10-17

The serene spaces of contemplative minimalism have attracted some strange bedfellows over the years, including classical, new music, and experimental composers, serious jazz artists, ambient-electronic sound sculptors, and native musicians from the far north. They share a taste for consonance, repetition, slow tempos, electro-acoustic instrumentation, and expanded ambience. 

In these vast, frigid spaces, time seems to slow and even stop. On this transmission of Hearts of Space, timeless soundscapes inspired by the Arctic North, on a program called "FROZEN TIME."

Music is by CHRISTEL VERAART, JEFF GREINKE, TIGRAN HAMASYAN, JOHN LUTHER ADAMS, MICHAEL JON FINK, SOMEI SATOH, and OLAFUR ARNALDS.

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