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PGM 836R 'SUSPENSION' : mar. 10-17

Floating...through the long transition between winter and spring. In times of uncertainty, we hold back, restrain action, and wait. Patience and experience help us endure the time. We relax, observe the signs, quietly mark the changes, remain ready...for what comes next.

In music, a suspension is an extended tone connecting one chord with the following chord, often marked by a temporary dissonance. On this transmission of Hearts of Space, a floating journey for a time of transition and temporary dissonance called SUSPENSION.

Music is by LUDOVICO EINAUDI, RUDY ADRIAN, ROBIN GUTHRIE & HAROLD BUDD, BRUNO SANFILIPPO & MATHIAS GRASSOW, and FRANK VAN BOGAERT.

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PGM 1207R 'A FRAGILE BEAUTY' : feb.17-24

For all the challenges that winter brings, it also offers a time for quiet, solitude, pristine stillness, rebirth, and renewal. This meditative aspect of the season has inspired contemporary post-classical composers to create sparse yet majestic soundscapes. 

On this transmission of Hearts of Space, we bring together the serene melancholy of ambient chamber music, the patiently unfolding cadences of sacred minimalism, and the ethereal lightness of choral harmonies, on a program called A FRAGILE BEAUTY.

Music is by LUDOVICO EINAUDI, ELENI KARAINDROU, JÓHANN JÓHANNSSON, MAX RICHTER, and VOCES8.

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PGM 1066R 'ICE NIGHT' : jan.27-feb.3

In the depths of winter, movement slows and time expands. Below 32 degrees Fahrenheit, flowing water becomes static crystals, locked and silent. At absolute zero, motion stops.

The sound of winter is low and slow: thick drones punctuated by dark bells and metallic overtones. The chilled air is heavy with water vapor, damping sounds and creating a hushed atmosphere. And when the storms come, the keening of the cold night wind creates an eerie wail.

On this transmission of Hearts of Space, far north winter electronics, on a program called ICE NIGHT. Music is by BIOSPHERE, SIMON LOMAX. DEEP CHILL NETWORK, HAROLD BUDD, CSILLAGKOD, BRAIN LAUGHTER, ALTUS, and JANNE HANHISUANTO.

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PGM 1168R 'POLAR FLIGHT 3' : dec. 30-jan. 6

WINTER DESCENDS...a contractive force that drains the color from the landscape, leaving a world of subtle monochromes, softened by chilled blue-gray mist and fog. As the temperature drops, movement slows, challenging every species to adapt and survive, while winter storms bring cutting winds, freezing rain, sleet, and the white fantasy world of snow. 

Winter inspires Ambient musicians to change their tonal palette and create sonic images of cold wind and stormy skies. The sound of the season is darker, denser, colder, slower—with restrained melodies and crystalline accents. It's native territory for musicians from the northern countries of Europe, Iceland, Canada, and kindred spirits in the United States. 

On this transmission of Hearts of Space, a journey across the Arctic north, on a program called POLAR FLIGHT 3. Music is by BANCO DE GAIA, BRYAN CARRIGAN, BRIDGE TO IMLA, SEETYCA, SIMON LOMAX, ALTUS and PANGAEA PROJEKT.

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PGM 999R 'ANGELICO' : dec. 16-23

This week we begin our suite of winter holiday programs with another deep journey into the sublime world of sacred choral music, from our longtime guest producer for classical and sacred music ELLEN HOLMES.

There's a lightness and purity in these subtle harmonies that's often described as angelic. Whether they've come down to us from 800 years ago or just yesterday, by doing less, they achieve more. They engage us on a deeper, more internal level, when we simply open ourselves to the sound and listen with the heart.

On this transmission of Hearts of Space, the ethereal, angelic sound of choral voices, on a program called ANGELICO. Music is by MAURICE DURUFLE, CESAR FRANCK, MICHAEL PRAETORIUS, MORTEN LAURIDSEN, IVER KLEIVE, OLA GJEILO, ALEXANDRE GRETCHANINOFF, ERIC WHITACRE, and DANIEL LENTZ.

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PGM 1304R 'CANTO ELECTRONICO' : dec. 2-9

The best-kept secret in European minimalism must be the late Dutch composer SIMEON TEN HOLT, who died in 2012. After experimenting with complex chromaticism and serialism early in his career, Ten Holt arrived at his own style of "humanized" minimalism: infused with traditional musical values, rhythmically rigorous, wonderfully melodic, and flexible in performance.

His most famous piece, composed in 1976, is called CANTO OSTINATO, which in Italian means "obstinate song," a reference to its continuous, repeating quintuplet rhythm base: 1-2-3-4-5, 1-2-3-4-5, 1-2-3-4-5, 1-2-3-4-5. Its structure is based on 106 "cells" of a few phrases each which allow great latitude for repeats and interpretation by the performers. The piece can take from two hours to more than a day, and there are dozens of versions for 1, 2, 3, and 4 pianos, pianos plus organ, harp, or marimba, pipe organ, strings, and synthesizer.

Canto Ostinato has been a popular phenomenon in the Netherlands for 40 years and hundreds of sold out performances. Despite its appeal, it's hardly ever been performed or broadcast in the U.S. We tried to help fix that a couple of years ago when we featured a mesmerizing live version for two pianos, performed by the Dutch husband/wife duo JEROEN and SANDRA VAN VEEN.

On this transmission of Hearts of Space, a buoyant, energetic version for synthesizer, programmed and performed by SANDRA and JEROEN VAN VEEN. Simeon Ten Holt's Canto Ostinato for synthesizer; let's call it CANTO ELECTRONICO, on this transmission...of Hearts of Space.

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PGM 853R 'INFINITE LOOPS' : nov.18-25

In the early 1970s, English guitarist ROBERT FRIPP (of the seminal progressive rock band KING CRIMSON) began a series of experiments with tape delay echo loops that he came to call "Frippertronics."

Fripp's collaboration with fellow electronic experimentalist BRIAN ENO yielded two influential albums of treated electric guitar and synthesizers. NO PUSSYFOOTING (from 1972) and EVENING STAR (in 1974) defined a new sound: the infinite spatial guitar. Whether endlessly looped or indefinitely sustained, Fripp transformed, expanded and dematerialized the electric guitar by feeding it back on itself — and created one of the foundations of today's ambient soundscapes.

On this transmission of HEARTS of SPACE we borrow a term from computer programming, on a descending journey for fall called INFINITE LOOPS. Music is by HAROLD BUDD & CLIVE WRIGHT, ROBIN GUTHRIE, HAMMOCK, and RICHARD BONE.

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PGM 1232R 'SHADES and SHADOWS' : nov. 4-11

In the waning days of late autumn, the sun falls ever lower in the sky, the air becomes crisp as the restless wind strips the leaves from the trees, and the nights grow quiet, as the last lovelorn crickets of the season succumb to the cold.

The autumn harvest brings a bounty of fruits and flowers, grains and nuts, in a rainbow of complex colors from bright orange pumpkins to deep purple cranberries. The sounds of the season are darker, slower, deeper — a somber interlude before the bright celebrations of the holiday season.

On this transmission of Hearts of Space, an ambient-electronic journey for late autumn, on a program called SHADES AND SHADOWS. Music is by ASCENDENT, MARCONI UNION, STEVE ROACH, RUDY ADRIAN, APERUS, MILES RICHMOND & PETER GRENADER, IAN BODDY, and JUTA TAKAHASHI.

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PGM 1298R 'SHADOWLANDS 2' : oct.14-21

Autumn brings transformations both subtle and powerful. The shadows lengthen as the focus of the sun moves south below the equator. Here in the Northern Hemisphere, we now experience rapid seasonal climate change on top of slow global climate change. It's a transition marked by familiar changes in temperature, color, and activity in the natural world, disrupted by increasingly extreme weather events.

For ambient musicians, it's a time for complex tone colors burnished with glints of silver and gold, bittersweet harmonies, descending progressions, and gently melancholy emotions.

On this transmission of HEARTS of SPACE, we transition to the darkening electro-acoustic soundscapes of autumn, on a program called SHADOWLANDS 2. Music is by MYCHAEL DANNA & TIM CLÉMENT, STEVE ROACH & MICHAEL STEARNS, MIGUEL NOYA, CLIFF MARTINEZ, ALEX HAAS, and LISA BELLA DONNA.  

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PGM 1172R 'THE TRANSCENDENT PIANO' : sept.30-oct.7

With its bell-like high notes, rich bass tones, subtle touch dynamics, and endless chordal, melodic and rhythmic possibilities—the piano is indispensable for many genres of contemporary music. In the history of the national Hearts of Space program, we've done more than 50 shows focused on the piano. The guitar may be the world's most popular instrument, but for range, versatility and personal expression, the piano takes the prize.

When played with sensitivity and imagination, the acoustic piano alone is capable of taking us into rarified spaces. Today in Europe, a new generation of classically trained, technically creative and musically talented Ambient musicians are exploring minimalist trance patterns, combining the piano with traditional chamber instruments, extending it with electronics, and transporting the instrument into new dimensions of contemplative sound experience.

On this transmission of HEARTS of SPACE, a program of recent discoveries called THE TRANSCENDENT PIANO. Music is by NILS FRAHM, MAX RICHTER, ANGUS MACRAE, DUSTIN O'HALLORAN, DMITRI STÖKL, KAI SCHUMACHER, STEN ERLAND HERMUNDSTAD, and BRUNO SANFILIPPO.

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PGM 1157R 'ENDLESS SUMMER' : sept.9-16

Summers...are famously long and hot, and in the superheated days of late summer, time seems to expand in front of us. And it's not just because it's the season for natural disasters — we're back to school and back to work, packing new activities into our schedules while memories of summer fun still linger in our minds. 

On this transmission of Hearts of Space, languid guitars, ethereal electronics and subtle rhythms for the season, on a program called ENDLESS SUMMER.

The title comes from a classic 1966 surfing documentary, but it's been repurposed hundreds of times. We'll do the same, from a concept and music research by guest producer DAVID J. EGAN. Music is by DIATONIS, MATTHEW STEWART, LEO ABRAHAMS, BJORN MEYER, TONY GERBER, EIVIND AARSET, HAMMOCK, and BYLA.

Laidback, expansive ambient guitars for the season: ENDLESS SUMMER...on this transmission...of Hearts of Space.

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PGM 1223R 'ELECTRONIC DIMENSIONS' : sept. 2-9

The transition from 'electric' to 'electronic' was one of the great technical achievements of the 20th century. Electronic engineering emerged out of the telephone, radio, film and television industries, and military communication and weapon systems during World War II. The earliest devices for creating electronic music actually date from the end of the 19th century. By the 1920s and 30s we had compact, playable electronic instruments like the Russian Theremin, the French Ondes Martenot, and the German Trautonium. 

Development of recording technology led to experimentation with record players and tape recorders to manipulate sound and create new kinds of music. Electronic music expanded exponentially in the 1960s and 70s with the arrival of practical electronic synthesizers, fueling an era of explosive creativity. Today electronic music extends from mainstream dance music to experimental noise, with literally thousands of sub-genres, and an unlimited palette of sounds and creative possibilities. 

On this transmission of Hearts of Space, a journey in the infinite tone-worlds of electronic space, on a program called ELECTRONIC DIMENSIONS. 

Music is by FOURTH DIMENSION, BLUETECH, ESKOSTATIC, BETWEEN INTERVAL, SCOTT LAWLOR, and ALPHA WAVE MOVEMENT.

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PGM 983R 'SUMMERTRONICA 5' : aug. 26-sept. 2

Does a season have a sound? ANTONIO VIVALDI obviously thought so, and THE FOUR SEASONS remains one of the most popular classical pieces of all times. So did electronic music pioneer WENDY CARLOS, who created SONIC SEASONINGS, the first album of synthesized environmental sounds, all the way back in 1972.

What's the sound of summer for the ambient musicians of today?  Well first, it's warmer: languid, even sultry; it's lighter, more airy. From heat waves to gossamer breezes, cooling ocean sprays to the nighttime cricket chorus, in summer — save the occasional thunderstorm, tornado or hurricane — we inhabit a kinder, gentler soundscape.

On this transmission of Hearts of Space, we round up a flock of warm weather electrons and fly the blue skies of summer...on a program called SUMMERTRONICA 5. Music is by DAN POUND, GENERAL FUZZ, MARCONI UNION, ISHQ, S7VEN, and BVDUB.

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PGM 1072R 'HYPNOTRONIC' : aug. 12-19

Back in the late 18th and early 19th century, a German doctor named FRANZ MESMER had a far out theory about energy transference between animate and inanimate objects. He called it "animal magnetism."

A Scottish doctor named JAMES BAIRD developed the idea and called it "nervous sleep" or "neuro-hypnotism," and later just "hypnosis." The word comes from the Greek hypnos for "sleep" and osis "to put to sleep."

These days, thanks to the American Psychological Association, we have a formal definition of hypnosis as "a state of consciousness created by 'hypnotic induction' and characterized by relaxation, focused attention and increased suggestibility, with alterations in perception, sensation, emotion, thought or behavior." Others define it as psychological regression, dissociation, or an altered state of functioning.

However you define it, hypnosis has a lot in common with ambient music, which also creates a relaxed state with focused attention. Whether it causes increased suggestibility and altered perception...well, that's up to you.

On this transmission of Hearts of Space, electronic music for mental alteration, on a program called HYPNOTRONIC. Music is by ORCHESTRA SOLITAIRE, CHRONOTOPE PROJECT, THIERRY DAVID, HOWARD GIVENS & CRAIG PADILLA, A PRODUCE, PHILLIP WILKERSON, STEVE ROACH, and VIC HENNEGAN.

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PGM 1080R 'CEREMONY' : july 22-29

The subtle, melodic rhythms of the PANArt "hang" — arguably the first new musical instrument of the 21st century. It's a descendant of the steel pan drum, the product of Swiss craftsmanship and perfectionism. And in the hands of a musician with the right sensibility, it's a vehicle for innerspace travel.

On this transmission of Hearts of Space, summer spacemusic for the hang and some of its siblings in the resonant percussion family, on a program called "CEREMONY." Music is by JAMES HOOD, LAURA INSERRA & DARREN GIBBS, CHRISTOPHER OF THE WOLVES, TRYSHE DHEVNEY, and RAVID GOLDSCHMIDT.

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PGM 1151R 'SUMMER VISIONS' : july15-22

Summer...invites us to relax, take a break from work, and have a bit of fun. I know, it's hard to tune out the noise of our contentious politics these days, but even the most ardent partisans need to rest and recharge for the battles ahead. So in summer we travel, we explore, we play, we dance, we celebrate with family and friends.

The music of summer is lighter, happier, more active. And for some ambient composers, it's an opportunity to envision a better world by creating idealized sonic environments. On this transmission of Hearts of Space, ambient atmospheres for the perfect summer, on a program called SUMMER VISIONS.

Music is by AMBIENTALISM, PETER CALANDRA, EDAMAME, PETE KUZMA, TAKASHI SUZUKI, ASHANEEN, ISHQ, and IASOS.

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PGM 1084R 'TRANCE PLANET' : july 8-15

It doesn't take much: a quiet drone, soft skin drums, and hand claps in this case — but it opens up an immersive perceptual world that's encoded in the word "trance."

Trance music has a surprisingly long provenance, stretching back from the electronic beats of today to the mists of prehistory. Whether fueled by psychoactive substances, ecstatic group experiences, or just applied boredom, the world of trance music has proven both durable and adaptable. There's acid trance, epic trance, euro-trance, tech and progressive trance, vocal trance, and dream trance — just to mention the electronic dance variations.

From the traditional acoustic drumming of North Africa/ to the relentless pounding of 140 beats per minute on the electronic dance floor, repetition and the power of extended, slowly changing rhythms are the foundation. Add infinite feedback guitar and Ambient electronics, and you have a sonic vehicle for travel to exotic virtual spaces.

On this transmission of Hearts of Space, an ethno-tronic journey on psycho-active trance rhythms, on a program called TRANCE PLANET. If the name sounds familiar, it was used in the 1990s for a series of World Music compilations on the late Triloka Records label.

Music is by TIM GERWING, FRORE & SHANE MORRIS, MICHEL BANABILA, ROBERT RICH, JON HASSELL, MA JA LE & VIR UNIS, and STILLPOINT.

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PGM 432R 'VANGELIS' : june 24 - july 1

"Out of the chaos of noise," he says with typical modesty, "I function as a channel through which music emerges."

SO POWERFUL is this gentleman's music, that his name on a film soundtrack has marquee value equal to the director or the actors;
SO INFLUENTIAL is his sound that an entire generation of film and television composers have been affected by his style;
SO POPULAR is his music that his records leap musical boundaries and find their way into the collections of thousands of listeners to all categories of music;
SO EXTENSIVE is his talent, that after almost 30 years, he continues to fascinate record buyers, making both enormously commercial and deeply personal albums.

On this transmission of Hearts of Space, a tribute to Greek composer VANGELIS, who died in May at 79 after a brilliant career as a popular artist and film composer. 

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PGM 942R 'CINEMOTION' : june 10-17

In the evolution of cinema, music has been a parallel language, evolving along with the visual and dramatic language of film.

In the beginning it was live accompaniment by piano, orchestra, and let's not forget The Mighty Wurlizter! Then came recorded sound, and film music flowered into dozens of subgenres, from conventional to experimental.

Whether it's a traditional score for orchestra, a vehicle for popular songs, a fusion of western and world music, a dark and twisted electronic journey, or a subtle ambient tone painting — music is there to create context, to energize, to express the internal feeling of the characters — and deepen our emotional connection to the story.

On this transmission of Hearts of Space, an hour of choice ambient music for contemporary film, on a program called CINEMOTION. Music is by HANS ZIMMER, DAVID NEWMAN, GREG EDMONSON, LISA GERRARD, and RICHARD MARVIN.

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PGM 1214R 'ANCESTRAL VOICES 2' : may 13-20

All most Americans know about Vietnam is that we fought a long and pointless war there in the 1960s and 70s. Today, if you live on the west coast, more likely than not there's a delicious Vietnamese restaurant in your community. But the ancient cultures, and the music of Southeast Asia and Vietnam in particular, is a mystery to most of us. 

A select group of Western composers and musicians have been drawn to these cultures, along with Southeast Asian musicians who've relocated to the West. They're creating a new fusion of traditional and contemporary music. 

On this transmission of Hearts of Space...subtle sounds from Vietnam, Cambodia, and Southeast Asia, on a program called ANCESTRAL VOICES 2. Music is by GRAYHAWK, LÊ TỰ CƯỜNG, PEETER VÄHI, RICHARD HOROWITZ, PHAN KIM THÀNH, VANESSA VÕ, LÊ TUẤN HÙNG & ĐẶNG KIM HIỀN, TRÍ NGUYỄN & THE ILIOS QUARTET.

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PGM 651R 'KLAUS SCHULZE: CONTEMPORARY WORKS' : may 6-13

It's been more than 30 years since the German genius for music and technology encountered psychoactive chemistry at the end of the 1960s. The rest, as they say, is history; but when that history is finally written, the name of one musician will dominate the tale.

KLAUS SCHULZE was there from the very beginning, starting as a drummer in a psychedelic rock group, then embracing electronics when the first synthesizers arrived in Germany. He was a member of both of the seminal German electronic groups — Ash Ra Tempel and Tangerine Dream, then headed off on his own — thereby inventing the identity of the solo electronic musician, working in his personal studio to create original music.

Perhaps more than any single composer, he developed a musical language for electronic spacemusic that's become so pervasive and influential, it's now part of the environment. And since the early 1970s, his music has been one of the foundations of the sound of this program.

On this transmission of HEARTS of SPACE, we bring our long love affair with the music of Klaus Schulze up to date on a program called KLAUS SCHULZE : CONTEMPORARY WORKS.

Long careers in popular music are rare; long and prolific careers are exceptional.  But the output of Klaus Schulze has been so extraordinary that even his most dedicated fans are often overwhelmed.  By 2001, his discography included 35 solo albums, some 36 collaborations, and a group of monumental retrospective box sets, ranging from 10 to 50 albums each.

The new millennium did not diminish his creativity. In 2000, he released a new 10 CD set called CONTEMPORARY WORKS I, and followed it up in 2002 with a 5 disc set called CONTEMPORARY WORKS II.  As you can see, the problem in bringing you Klaus Schulze is not one of supply, but rather, of selection, from an overflowing fountain of new music. 

All the music on this program is taken from CONTEMPORARY WORKS 1 and 2. The deep focus electronic images, the sense of flying, floating, and cruising majestically through space, the soulful tones of the cello, English horn, oboe, and guitar, the entrancing cyclic rhythms –– all combine to make this music a distinctive and satisfying experience. 

Klaus Schulze died on April 26, 2022, at the age of 74. No other artist has had such a profound influence on the sound of contemporary ambient, techno, and trance music.

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PGM 1107R 'AN EASTER CELEBRATION' : april 15-22

THIS WEEK Christians around the world observe the Easter holiday, remembering the epic story of the crucifixion and resurrection of Christ. The powerful themes of death and rebirth, and the related celebrations of Holy Week, give the event a depth and majesty that mark it as the most important Christian festival of the year.

As you'd expect, Easter has inspired some of the most sublime and exalted music of the Christian tradition. On this transmission of Hearts of Space from guest producer ELLEN HOLMES, choral and instrumental classics from across nine centuries of Christian sacred music, on a program called "AN EASTER CELEBRATION."

Music is by WILLIAM BYRD, HILDEGARD VON BINGEN, RIHARDS DUBRA, PATRICK HAWES, GABRIEL FAURE, OLA GJEILO, MANUEL CARDOSO, ANTOINE BRUMEL, JOHN JENKINS, HEINRICH SCHUTZ, J.S. BACH, LISA GERRARD & PATRICK CASSIDY, ARVO PART, and EDWARD ELGAR.

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PGM 1288R 'THE NEXT DIMENSION' : apr. 8-15

It's utterly without tension, reliably tonal and melodic, and wouldn't hurt a fly. Yet New Age music has been the subject of decades of casual ridicule.

Originally a grassroots phenomenon with a do-it-yourself creative ethic made possible by the home studio movement, after a period of mainstream success in the 1980s, it retreated to serving its core audience. Despite the criticism, New Age remained a popular niche, showing that a therapeutic music for relaxation, meditation, virtual travel, and alternative forms of spirituality had become something of a psychological necessity in high-intensity modern life. 

Around 2004, a critical reappraisal of the genre began, led by music blogger Douglas Mcgowan and by serious music collectors, Gen X'ers and Millennials who were children during the glory days of New Age. Evaluating musicians on their own merit rather than writing off the entire genre led to the conviction that some of the artists had been underappreciated, and the genre itself had been overcriticized.

On this transmission of HEARTS of SPACE, New Age music reconsidered — on a program called THE NEXT DIMENSION. Music is by DEAN EVENSON, SCOTT HUCKABAY & PHIL HEAVEN, JONNY LIPFORD, DAVE EGGAR, HIROKI OKONO, UMA SILBEY, MICHAEL BRANT DEMARIA, FORREST SMITHSON, MIKE CLAY, IASOS, and PAUL AVGERINOS.  

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PGM 1175R 'THE ENCHANTED HARP' : mar. 11-18

It's fitting that we celebrate St. Patrick's Day in March, when we can either be enduring the final insults of winter, or enjoying the gentle rains, green leaves and pink blossoms of spring. Whatever the weather, Celtic music can rise to the occasion. Of all the world's folk musics, the Celtic tradition is one of the most extensive in range and varied in emotional expression. From heroic marches to joyous dances, from melancholy dirges to heart-rending ballads — Celtic music reflects the panorama of human feeling.

The Celtic revival of the 1980s and 90s brought new attention to the genre, and motivated native Irish, Scottish, Welsh and Breton musicians to new heights, while many other nationalities of Celtic descent were inspired to extend the boundaries of the genre, leading to a kind of golden era for Celtic music. On this transmission of Hearts of Space, it's another excursion in the Celtic soundscape, on a program called THE ENCHANTED HARP.

Music is by AINE MINOGUE, ADRIAN VON ZIEGLER, JEFF JOHNSON & BRIAN DUNNING, WILLIAM COULTER & MARY McLAUGHLIN, DAVY SPILLANE, SKYEDANCE, AOIFE NI FHEARAIGH, TRINE OPSAHL, SARAH COPUS, and MÉAV,

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PGM 902R 'SACRED SINGING METALS' : feb.11-18

Gongs, bells, and bowls. This trio of metal instruments pack a sonic and psychological punch way out of proportion with their utter simplicity.

Long revered for their role in religious ceremonies, almost magical in their ability to delight and entrance, they stand virtually alone in the resonant space between music and pure sound. They've been joined in recent years by the synthesizer. It's not simple, but it can create sounds unconstrained by the physical limitations of vibrating materials. As you'll hear...it's a marriage made in heaven.

On this transmission of HEARTS of SPACE, another journey in the resonant space of bells, bowls, gongs — and synthesizers — on a program called SACRED SINGING METALS. 

Music and sound experiences are by XUMANTRA, HUMAN METRONOME and 33 TETRAGAMMON, STEVEN HALPERN, LIQUID BELLS, DEUTER, and KLAUS WIESE.

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