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PGM 1181 'CONFESSIONS' : may 11-18

CONFESSION...it's simple in theory: to tell the truth. In practice? It's more complicated.

Confession plays a critical role in the justice system, in religion, in therapeutic and personal relationships. And at a time when the very idea of objective facts and truth is being challenged, confession is more important than ever.

A true confession is a revelation — a release of hidden knowledge. And it's often accompanied by powerful, even cathartic, emotions. No wonder confessional songs and music are found in some of the oldest cultures on earth.

On this transmission of Hearts of Space...the quiet sound of emotional truth, on a program called CONFESSIONS.

Music is by ADAM HURST, ELINA DUNI, MIRABAI CEIBA, SAVINA YANNATOU, BADI ASSAD, JOSÉ LUIS MONTÓN, ESTÁS TONNÉ, ANDRÉ GERAISSATI, and AMBERFERN.

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PGM 1180 'FLOATING WINDS : may 4-11

One of the most seductive musical combinations is the soft cry of a wind instrument — in this case, a soprano saxophone — floating high and free above a cushion of electronic sound. It's a combination that brings out the best of its parts: the melodic, emotional expression of the horn; the spacious sonic architecture of an ambient electronic soundfield.

Winds with electronics are relatively new, but the sound of a primitive flute or horn resonating in acoustic space goes back to the cave homes of our earliest ancestors.
It's a formative sound experience in the evolution of the ambient sensibility, revived
in the 1960s by clarinetist TONY SCOTT in MUSIC FOR ZEN MEDITATION, and by flutist PAUL HORN in his classic recording INSIDE THE TAJ MAHAL.

On this transmission of Hearts of Space, we explore the happy combination of acoustic winds and ambient electronics, on a program called FLOATING WINDS. Music is by KEVIN BRAHENY FORTUNE, MATT BORGHI & MICHAEL TEAGER, KLAUS SCHULZE (with TOBIAS BECKER), and KIT WATKINS.

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PGM 1179 'TRANCE PLANET 2' : april 27-may 4

SPRING: it arrives in the Northern Hemisphere in fits and starts. It takes several months before we're all on the spring page. In the meantime, we can take a hint from our pagan ancestors, who went in for big parties around the vernal equinox to let the gods know they were ready for spring.

In those days, drummers got everyone moving around the communal bonfires. These days, hand drummers tap out mesmerizing rhythms on new melodic percussion instruments like the PanArt Hang and the Halo handpans. On this transmission of Hearts of Space...we follow the sound of the Hang, on an ethno-tronic journey for spring called TRANCE PLANET 2.

Music is by JAMES HOOD, HANG IN BALANCE, HANG MASSIVE, LAURA INSERRA & DARREN GIBBS, CHRISTOPHER OF THE WOLVES, and PETER GARLAND.

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PGM 1178 'BIOSONIC 2' : apr.13-20

Exploring the remote tributaries of the great river of ambient sound, we come upon music inspired by the natural world and the micro-organisms that inhabit it. Recent research shows that the so-called "micro-biome" — the vast community of microbes in the environment, in animals, and in us — is essential for life.

According to musician ROBERT RICH "we imagine ourselves to be individuals, but in fact we're a collective, a network of organisms with a unique microbiome of bacteria, viruses, fungi, and organelles." Rich calls it "the Biode, a biomic node, the gathering place where a community of organisms combines to become a unit of individuality."

For these ambient musicians, the Biode inspires electro-acoustic metaphors of the natural world, a complex, inter-dependent community of sounds. On this transmission of HEARTS of SPACE, the organic sound in ambient electronics, on a program called BIOSONIC 2.

Music is by ROBERT RICH, JARGUNA, APOCRYPHOS, KAMMARHEIT & ATRIUM CARCERI, FORREST FANG, ISHQ, ROBERT DAVIES, and STEVE ROACH & ROBERT LOGAN.

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PGM 1177 'DIVINE LIGHT' : mar.30-apr. 6

The sublime tradition of Russian Orthodox sacred choral music begins with ancient Byzantine chants and comes to full magnificence with the influence of Western classical music. In the great mixed choirs, ethereal and earthly sonorities magically combine with images of radiant light and extended prayers of fervent supplication, transporting the listener to realms beyond worldly cares. 

On this Easter season transmission of HEARTS of SPACE from longtime guest producer for sacred and classical music ELLEN HOLMES — a program called DIVINE LIGHT.

Music is by RIMSKY-KORSAKOV, KALINNIKOV, CHESNOKOV, SVIRIDOV, NIKOLAEV-STROUMSKY, KETCHAKHMAZDE, ARVO PÄRT, OLA GJEILO, KJARTAN SVEINSSON, TERJE RYPDAL, and the monks of CHEVETOGNE ABBEY in Belgium.

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PGM 1176 'ELECTRON TRAVELER 3 : mar. 23-30

What would you do if someone gave you a magical electronic instrument, one that could create any sound you could imagine? You might play it like a conventional acoustic instrument with a distinctive tone; or you might invent entirely new kinds of music, free from the physical limitations of breath, bow, vibrating strings, resonant tubes, stretched skins and skilled fingers...that defined traditional music for centuries.

Something like this actually happened to musicians beginning early in the 20th century. Along with recording technology, electronic music started a revolution we still haven't heard the end of a century later — a world of hundreds of new electronic genres, from so called IDM or Intelligent Dance Music, to an almost endless array of contemplative electronic sounds for solitary experience and "deep listening."

On this transmission of Hearts of Space, we focus on electronic music for virtual travel, on a program called ELECTRON TRAVELER 3.

Music is by PALANCAR, STELLARDRONE, ALIO DIE, CONNECT.OHM, CHRONOTOPE PROJECT, ISHQ, and BOB HOLROYD.

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PGM 1175 'THE ENCHANTED HARP' : march 16-23

It's fitting that we celebrate St. Patrick's Day in March, when we can either be enduring the final insults of winter, or enjoying the gentle rains, green leaves and pink blossoms of spring. Whatever the weather, Celtic music can rise to the occasion. Of all the world's folk musics, the Celtic tradition is one of the most extensive in range and varied in emotional expression. From heroic marches to joyous dances, from melancholy dirges to heart-rending ballads — Celtic music reflects the panorama of human feeling.

The Celtic revival of the 1980s and 90s brought new attention to the genre, and motivated native Irish, Scottish, Welsh and Breton musicians to new heights, while many other nationalities of Celtic descent were inspired to extend the boundaries of the genre, leading to a kind of golden era for Celtic music.

On this transmission of Hearts of Space, another excursion in the Celtic soundscape, on a program called THE ENCHANTED HARP.

Music is by AINE MINOGUE, ADRIAN VON ZIEGLER, JEFF JOHNSON & BRIAN DUNNING, WILLIAM COULTER & MARY McLAUGHLIN, DAVY SPILLANE, SKYEDANCE, AOIFE NI FHEARAIGH, TRINE OPSAHL, SARAH COPUS, and MÉAV,

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PGM 1174 'GALACTIC TRAVELER 2' : mar. 2-9

In the beginning...was the void.  Endless, empty, dark, silent.

Then — depending on your preference to believe — either God created the heavens and all within it, OR....there was a very Big Bang, which began the evolution of everything we now call The Universe.

Some time later...electronic and ambient musicians were moved to create sonic images of our still boundless, but no longer empty cosmos, with what we like to call spacemusic. It's a vehicle for virtual travel to the stars and beyond — at least until SpaceX can take your body there.

On this transmission of Hearts of Space, another cosmic-electronic journey, on a program called GALACTIC TRAVELER 2.

Music is by ASCENDENT, NUMINA, CARBON BASED LIFEFORMS, JONN SERRIE, JOHN LYELL, JUTA TAKAHASHI, and IAN BODDY & ERIK WØLLO. 

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PGM 1173 'HIMALAYAN DREAMSCAPES' : feb.23 - mar.2

 

It must be one of the strangest sounds in all the world's religions: deep guttural chanting over percussive chaos. In fact it's Tibetan monks chanting Buddhist sutras or holy scriptures, against a wild background of metallic percussion and 15-foot long horns. Unlikely though it might seem, this ancient and remote Asian mountain culture has been the inspiration for western electronic musicians to create a distinctive kind of Tribal-Ambient travel music.

On this transmission of Hearts of Space, a journey to the metaphoric "roof of the world" on a program called HIMALAYAN DREAMSCAPES.

Music is by NAWANG KHECHOG, DAVID PARSONS, NEBULAE, and CHOYING DROLMA & STEVE TIBBETTS.

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PGM 1172 'THE TRANSCENDENT PIANO' : feb.16-23

With its bell-like high notes, rich bass tones, subtle touch dynamics, and endless chordal, melodic and rhythmic possibilities—the piano is indispensable for many genres of contemporary music. In the 35 year history of the national Hearts of Space program, we've done more than 50 shows focused on the piano. The guitar may be the world's most popular instrument, but for range, versatility and personal expression, the piano takes the prize.

When played with sensitivity and imagination, the acoustic piano alone is capable of taking us into rarified spaces. Today in Europe, a new generation of classically trained, technically creative and musically talented Ambient musicians are exploring minimalist trance patterns, combining the piano with traditional chamber instruments, extending it with electronics, and transporting the instrument into new dimensions of contemplative sound experience.

On this transmission of HEARTS of SPACE, a program of recent discoveries called THE TRANSCENDENT PIANO. Music is by NILS FRAHM, MAX RICHTER, ANGUS MACRAE, DUSTIN O'HALLORAN, DMITRI STÖKL, KAI SCHUMACHER, STEN ERLAND HERMUNDSTAD, and BRUNO SANFILIPPO.

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PGM 1171 'CLOUD GUITARS' : feb.2-9

Let's hear it, ladies and gentlemen, for the slow-moving, high altitude, floating sound of the electric guitar.

Born in the 1930s for parity with drums and horns in jazz bands, greatly expanded in the 1950s and 60s with the discovery of techniques like feedback and overdrive, with the help of psychedelics the humble Spanish guitar was transformed into a vehicle for exploring distant soundworlds—the musical equivalent of the mission of the Starship Enterprise.

The last half of the 20th century brought dozens of electronic "effects"—EQ, compression, echo, reverb, phasing, distortion—and in the 21st century, software algorithms for ever more sophisticated transformations. Today the electronically enhanced guitar can create anything from diffuse ambient tone paintings to epic soundscapes, to something unnamed and unrecognizable...as a guitar.

On this transmission of Hearts of Space, another expansive journey in the ambient guitar universe, on a program called CLOUD GUITARS.

Music is by BUCKETHEAD, JON DURANT, STRATOSPHERE, DAVID HELPLING, CARL WEINGARTEN, RICK COX, JUHA-MATTI RAUTIAINEN, and JEFF PEARCE.

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PGM 1170 'MAGIC METALS' : jan.26-feb.2

Locked in the cold embrace of winter, under leaden clouds relieved by dazzling clear days, we return once again to the otherworldly sounds of the resonant percussion family — bells, bowls, gongs and cymbals. 

Developed over thousands of years by native cultures in Tibet, the Far East and Indonesia, gongs and bells were used primarily in religious ceremonies, and later for utilitarian purposes like broadcasting the time. 

In the 20th century, they were rediscovered in the west as a vehicle for meditation and sonic journeys. These sublime metal instruments are unequalled in subtlety and psychoactive power. In the hands of a dedicated contemplative musician, they create sounds that live in the profound realm we call The Deep Zone. 

On this transmission of Hearts of Space, a wintry resonant percussion journey, on a program called MAGIC METALS.

Music is by DEUTER, KARMA MOFFETT, HANS CHRISTIAN, TONY GERBER, and A PRODUCE.

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PGM 1169 'NORDIC WINTER SONGS' : jan.19-26

There's a fine line between the epic folk songs and the medieval hymns of Scandinavia and far northern Europe.

In the Middle Ages, the folk ballads and the sacred music of the early Christian church evolved from the same mix of cultures, addressed the same audiences, and employed some of the same instruments—like the 8 or 9 stringed Hardanger fiddle and the Baltic box zither called the Kantele. Warm and melodic with vibrant string overtones and beguiling vocals, traditional Nordic music creates the perfect atmosphere on cold winter nights. 

On this transmission of Hearts of Space, the brilliant cold world sounds of Norway, Sweden and Iceland, on a program called NORDIC WINTER SONGS.

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PGM 1168 'POLAR FLIGHT 3' : jan.5-12

WINTER DESCENDS...a contractive force that drains the color from the landscape, leaving a world of subtle monochromes, softened by chilled blue-gray mist and fog. As the temperature drops, movement slows, challenging every species to adapt and survive, while winter storms bring cutting winds, freezing rain, sleet, and the white fantasy world of snow. 

Winter inspires Ambient musicians to change their tonal palette and create sonic images of cold wind and stormy skies. The sound of the season is darker, denser, colder, slower—with restrained melodies and crystalline accents. It's native territory for musicians from the northern countries of Europe, Iceland, Canada, and kindred spirits in the United States. 

On this transmission of Hearts of Space, a journey across the Arctic north, on a program called POLAR FLIGHT 3.

Music is by BANCO DE GAIA, BRYAN CARRIGAN, BRIDGE TO IMLA, SEETYCA, SIMON LOMAX, ALTUS and PANGAEA PROJEKT.

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PGM 1167 'MYSTIC MINIMALISM' : dec.15-22

This week we bring you music for the winter holiday season. But instead of the popular hymns and much-loved classical and sacred pieces, we're devoting the program to the contemporary genre variously called "Mystic" "Holy" "Spiritual" or "Sacred" Minimalism. 

What makes this music spiritual for its many fans is the psychological effect of its slowly changing repetitions, or the contemplative experience of its deep, slow, consonant tonalities. The poster artist for the genre is Estonian composer ARVO PÄRT; in the last 40 years he has quietly become the most performed classical composer in the world. 

Part began as a conventional avant-garde composer writing dissonant 12-tone works, but abandoned all that and created his own radically simple, tonal style. Other maverick composers like ALAN HOVHANESS, JOHN TAVENER, and HENRYK GÓRECKI also rejected dissonance and created beautiful sacred music; but none had the same impact on other composers as Arvo Pärt, whose influence today extends beyond classical composers to a host of serious popular, ambient and electronic musicians. 

On this transmission of Hearts of Space, contemporary spiritual classics, on a program called MYSTIC MINIMALISM. The entire program resides in what we call "the Deep Zone"—a rarefied realm of heightened musical communication and emotional resonance. 

Music is by ARVO PÄRT, A WINGED VICTORY FOR THE SULLEN, LUDOVICO EINAUDI, ÓLAFUR ARNALDS, MAX RICHTER, NILS FRAHM, JÓHANN JÓHANNSSON, and HAMMOCK.

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PGM 1166 'WINTERSTELLAR' : dec.8-15

The long, cold nights and decorative lights of the winter season remind us of the vast cold vacuum of space, with its billions of bright stars, nebulae, and distant galaxies. Our space telescopes now bring us spectacular images of the cosmic panorama; and though we may never be able to "travel to distant worlds" as we do in science fiction, just contemplating the size, age, and composition of the cosmos defines the term "mind-expanding." It's an experience that truly deserves to be called awesome. 

Electronic and ambient musicians bring us another way to experience the cosmos, by creating sonic images of interstellar space. On this transmission of Hearts of Space...a winter journey in the electronic starfields, on a program called WINTERSTELLAR.

Music is by RICHARD BURMER, MARK DWANE, ERIK WØLLO, HOLLAN HOLMES, CHRONOTOPE PROJECT, and JAJA aka JANA ROCKSTROH. 

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PGM 1165 'WINTER SOUL' : dec.1-8

The sweet metallic overtones of the steel string guitar. It's a sound that really comes alive in the clear winter air. But while the guitar is a descendent of the Arabic lute called the oud, the piano, the violin family, most horns and woodwind instruments come to us from the northern countries of Europe.

In the long, cold European winters, folk and popular music evolved to provide warmth and comfort. In the U.S., the acoustic revival of the 1970s and 80s was led by the very popular Windham Hill Records. Today many of these acoustic musicians and producers are still active and creative, along with a new generation of fine acoustic musicians they inspired. 

On this transmission of Hearts of Space, acoustic sounds to warm the heart and nourish the spirit, on a program called WINTER SOUL.

Music is by CAMILLE NELSON, KEITH GEHLE, FEDERICO ALBANESE, PETER BRODERICK, KAREN MARIE GARRETT, KATHRYN KAYE, GRETCHEN YANOVER, SLOW MEADOW, KEVIN KELLER, STU JENKS, and ENZO.

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PGM 1164 'REQUIEM AETERNAM 2' : nov.17-24

For centuries, the sacred spaces and restrained emotions of the Requiem Mass honoring the dead have brought beauty and healing in times of conflict and violence. 

The root meaning of requiem is rest, or repose for the soul of the deceased. It's a musical tradition with origins in Medieval times, when a special "funeral mass" was set to Gregorian melodies. 

During the Renaissance, composed requiems for unaccompanied a cappella voices were performed at important funeral services. In the 18th and 19th centuries, the requiem expanded into large scale concert works for chorus, orchestra and organ by mainstream composers from MOZART to BERLIOZ. In the 20th century, non-liturgical requiems commemorated wars and victims of tragedies, along with hymns and instrumental elegies, commemorative poems and psalms set to music. 

On this transmission of Hearts of Space, another special program by our longtime guest producer for sacred and classical music ELLEN HOLMES, called REQUIEM AETERNAM 2. The Latin translates as "grant them eternal peace." The "2" refers to Ellen's original "Requiem Aeternam" show from 1987.

Music is by PATRICK HAWES, the boy's choir LIBERA, the BOYS AIR CHOIR, the ST.PHILIPS BOY'S CHOIR, ROBERT MORAN, HESPERION XX, THOMAS TALLIS, MANUEL CARDOSO, JEAN RICHAFORT, TOMAS LUIS DE VICTORIA, GUILLAUME BOUZIGNAC, ARVO PÄRT, MAX RICHTER, the PAT METHENY GROUP, and GAVIN BRYARS.

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PGM 1163 'PROVENANCE' : nov.10-17

When it comes to lyrical, atmospheric jazz, the German ECM label is in a class by itself. From its inception in 1969 through over 1500 releases, founder and producer MANFRED EICHER established a pristine sound for improvised jazz and for serious composed music on the companion ECM NEW SERIES. Artists and composers come mainly from Europe, plus the U.S., North Africa, Greece, India, Brazil and other countries. 

Eicher encouraged experimentation and unique cross-genre collaborations, but even when the music was relatively conventional, ECM jazz recordings always had a generous sense of space and atmosphere. Under Eicher's guidance, many ECM artists went beyond the typical jazz ballad, and explored the slow pace and expanded spaces of ambient music. Both for musical content and sonic quality, ECM recordings have been a key source for Hearts of Space since the very beginning. 

On this transmission of Hearts of Space, atmospheric ECM jazz from 2016 and 2017, on a program called PROVENANCE.

Music is by the BENEDIKT JAHNEL TRIO, the JOHN ABERCROMBIE QUARTET, BILL FRISELL & THOMAS MORGAN, JAKOB BRO, AVISHAI COHEN, THOMASZ STANKO & NEW YORK QUARTET, CRAIG TABORN, DOMINIC MILLER, and BJORN MEYER.

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PGM 1162 'MAYAN SKIES' : nov. 3-10

Mesoamerica — the southern regions of Mexico and the northern countries of Central America, including parts of Guatemala, Belize, Honduras and El Salvador — is the home of one of the world's great early civilizations: the Maya. 

The indigenous culture of the Maya goes back over 3000 years. They were an aggressive, warrior people who practiced animal and human sacrifice, and are hard to romanticize. The Spanish arrived in the 1500s and it was all over by 1697, when the last Maya city surrendered. 

The Classic Period of Mayan culture produced highly sophisticated art forms — architecture, sculpture, and painting, as well as astronomy, hieroglyphic writing, and an advanced calendar system. There was no written music, but various Pre-Columbian flutes and wind instruments, drums, rattles, and metallic percussion have come down to us. Starting with these simple traditional instruments, native and western Ambient musicians have created electro-acoustic sound worlds that summon up the shamanistic and ritual spaces of this ancient culture. 

On this transmission of Hearts of Space, magical sound worlds of early Mesoamerica, on a program called MAYAN SKIES.

Music is by JORGE REYES, ANTONIO ZEPEDA, MICHAEL STEARNS, SORIAH+ASHKELON SAIN, LUIS PEREZ, and SUSPENDED MEMORIES.

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PGM 1161 'THE GATHERING DARK' : oct. 20-27

Well, despite the unseasonably warm temperatures and their sometimes disastrous consequences, one thing in our environment remains absolutely unchanged: the sun and the earth continue reliably tracing their cosmic orbits. And so, for very good astronomical reasons, here in the northern hemisphere the autumn days grow shorter, and the light grows ever dimmer, as we plot our course toward the winter solstice. 

The music of the season is measured, calm, with restrained passion and glints of bright color against a darkening background. On this transmission of Hearts of Space, we score the season of fading light and falling leaves, on a program called THE GATHERING DARK.

Music is by JEFF PEARCE, DARSHAN AMBIENT, TIM STORY & ROEDELIUS, JEFF GREINKE, TAPES AND TOPOGRAPHIES, EYES CAST DOWN, and HAMMOCK.

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PGM 1160 'ARCHAIC CONCERTS' : oct.13-20

Hearts of Space was born and raised during the formative years of electronic music in the 1970s and 80s. Because we've been covering the ambient side of its evolution for over forty years, the program has often been associated primarily with electronic music. 

But since the very beginning, we've always given almost equal time to traditional, purely acoustic forms of contemplative, space-creating music, as well as "electro-acoustic" hybrids. The reason was simple: long before electronics, there were centuries of music from dozens of world cultures that not only offered profound listening experiences — they defined and set a standard for what music can be. 

To be sure, electronics opened up vast new tonal and expressive dimensions for contemporary music — but we still return to traditional acoustic music, sit in virtual palace halls on ancient nights, and drink from the source of musical language. 

On this transmission of Hearts of Space, contemplative sounds on venerable acoustic instruments, on a program called ARCHAIC CONCERTS. The title is taken from the 1976 debut album of the unique German musician STEPHAN MICUS, who inspired, and is featured, in this program. 

Music is by STEPHAN MICUS, MYSTIC JOURNEY, MICHEL BANABILA & MEHMET POLAT, HANS CHRISTIAN, DJIVAN GASPARYAN, and SHUNSUKE MIZUNO.

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PGM 1159 'COSMIC FLIGHT' : oct.6-13

No one has ever fully explained the relationship between electronic sounds and images of cosmic space.

From the earliest experiments with electronic music, composers used it to express the strangeness, vastness and mystery of the cosmos. It was a brand new medium, free from the limitations of historical styles, conventional instruments, and even the laws of acoustics. Space was "the final frontier" and electronics were the vehicle to go there. 

Today, electronic musicians around the world command a virtually unlimited set of instruments and resources for creating sound images of our cosmic environment. On this transmission of Hearts of Space, another deep space journey on electronic waves, on a program called COSMIC FLIGHT.

Music is by VLADIMIR ABOVYAN, ASCENDANT, TRANSPONDER, CHRIS RUSSELL, ROBERT RICH, STEVE ROACH, ALTUS, and AMIR BAGHIRI. 

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PGM 1158 'EQUILUX' : sept. 22-29

Twice a year, we pass a point of balance and equilibrium in the progression of the seasons. Our planet reaches the place in its celestial journey where the center of the sun rises and sets directly over the equator, and day and night are of approximately equal length everywhere on earth. We call these times the equinox from the Latin for "equal night." A less common but possibly more correct name is equilux or "equal light." 

The September equinox marks the beginning of the new season: autumn, and the time of harvest festivals in the northern hemisphere. On this transmission of Hearts of Space, calm and balanced acoustic ambient for the seasonal transition, on a program called EQUILUX.

Music is by PETER BRODERICK, LUDOVICO EINAUDI, FEDERICO ALBANESE, TOM EATON, FLOW, CARL WEINGARTEN & CATHERINE MARIE CHARLTON, GREG HAINES, A WINGED VICTORY FOR THE SULLEN, and ENZO.

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PGM 1157 'ENDLESS SUMMER' : sept. 15-22

Summers...are famously long and hot, and in the superheated days of late summer, time seems to expand in front of us. And it's not just because it's the season for natural disasters — we're back to school and back to work, packing new activities into our schedules while memories of summer fun still linger in our minds. 

On this transmission of Hearts of Space, languid guitars, ethereal electronics and subtle rhythms for the season, on a program called ENDLESS SUMMER.

The title comes from a classic 1966 surfing documentary, but it's been repurposed hundreds of times. We'll do the same, from a concept and music research by guest producer DAVID J. EGAN. Music is by DIATONIS, MATTHEW STEWART, LEO ABRAHAMS, BJORN MEYER, TONY GERBER, EIVIND AARSET, HAMMOCK, and BYLA.

Laidback, expansive ambient guitars for the season: ENDLESS SUMMER...on this transmission...of Hearts of Space.

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