hearts of space | news

PGM 1355 'SUMMER'S END 2' : sept.15-22

After the burn of our increasingly intense summers—now featuring epic fires and floods in the wake of biblical storms and record-breaking heat waves—we emerge into the relatively cooler, quieter atmosphere and deflationary energy of early autumn. It's a time to regroup, recharge, rebuild, harvest, and prepare for the challenges of the winter season to come.

On this transmission of Hearts of Space from Canadian guest producer DJ EGAN, a journey down the endless monochromatic hallways, complex timbres and metallic overtones of Ambient Cool, on a program called SUMMER'S END 2. Music is by YAI, AGING + LAND TRANCE, POLIDO, NIKOS FOKAS & ARVE HENRIKSEN, JON HASSELL, JOSEPH, PHIL STROUD, RONU MAJUMBAR + RY COODER, JON HASSELL & ABHIJIT BANERJEE, and CHRISTIAN WITTMAN.

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PGM 1354 'WILD SANCTUARY' : sept.1-8

Trick question: Before recordings, before electronics, even before history, what was the original form of ambient music? Here’s a hint: it’s not what we normally call music, but it has a lot in common with music.

​The answer is the natural soundscape: a combination of the geophony—non-biological natural sounds like wind, waves, water, and weather, and the biophony—the sounds produced by all the non-human organisms in a given habitat.

​Documenting the natural soundscape has been the life work of “soundscape ecologist” BERNIE KRAUSE, who’s been recording and archiving natural soundscapes from around the world since 1979. Our 3-D sound localization ability is based on the evolutionary advantage of being able to identify the location, direction, and distance of ambient sounds—and it’s this sensibility we use when we listen to ambient music.

On this transmission of HEARTS of SPACE, the magical combination of ambient nature sounds and ambient music...on a program called WILD SANCTUARY.

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PGM 1353 'DOWNTEMPO NIGHTS' : aug. 18-25

In these now hotter summer nights, an ambient music fan may crave a bit more rhythm in their chilled sonic cocktail, and for that we have Downtempo—an electronic sub-genre characterized by an atmospheric sound and slower beats than typical electronic dance music.

Legend traces the origin of Downtempo to the English city of Bristol in the late 1980’s and the emergence of “trip-hop”—a psychedelic fusion of hip-hop and electronics by popular artists like PORTISHEAD and MASSIVE ATTACK. By the early 1990’s, dropping the vocals and adding rhythmic influences from dub reggae gave rise to a melodic, instrumental chill-room genre that came to be known as Downtempo Electronica, or just Downtempo.

On this transmission of HEARTS of SPACE, a nocturnal summer journey called DOWNTEMPO NIGHTS. Music is by PARALLAX-5, ONE ARC DEGREE, LAUGE, ASC, CHRISTOPHER WILLITS, MARCONI UNION, JOHAN AGEBJÖRN, and CONNECT.OHM.

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PGM 1352 'ANCESTRAL ECHOES' : july 4-11

The Techno-Tribal genre of electro-acoustic ambient emerged in 1988, the fruit of a remarkable act of musical anthropology by American electronic musician STEVE ROACH, who journeyed from Los Angeles to the Australian outback to collaborate with native aboriginal musicians and absorb their mythology of The Dreamtime. The result was a revolutionary and still influential album: DREAMTIME RETURN. Writing about its descendants in 1993, I said:

"The natives are drumming tonight on the cyber-tribal frontier.
It's a worldwide movement; composers on every continent/
exploring the boundaries of world music as it evolves into our techno-tronic culture.
It's a deliberate collision—between the vital spirit of the ancient tribal world,
and the rational logic of the electronic age."

Three decades later, the renamed Tribal-Ambient genre continues to refine the sound, while maintaining the spirit of the original innovation.On this transmission of Hearts of Space, a journey through space and time, tribal energy and digital technology, on a program called ANCESTRAL ECHOES.

Music is by BYRON METCALF & SHANE MORRIS, FRORE, ALIAS ZONE, ROBERT RICH, RESONANT DRIFT, and NUMINA.

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PGM 1351 'MINARETS OF THE SOUL 2' : july 21-28

THE MUSIC OF THE MIDDLE EAST includes the Arabic-speaking countries of the Arabian peninsula and North Africa, Persian music from Iran, Jewish music from Israel, plus Armenian, Kurdish, Azeri, Cypriot, Turkish, traditional Assyrian, and Coptic Christian ritual music. It's a complex mixture of history and tradition, innocence and wisdom, longing and heartache, passion and desire.

With its quarter note scales, propulsive rhythms, common instruments and melismatic vocals, Middle Eastern music is distinctive and widely appreciated. On this transmission of Hearts of Space, a journey in the inner landscapes of the Middle East, on a program called MINARETS OF THE SOUL 2.

Music is by OPIUM MOON, ZIKR PROJECT, RAFAEL KRUX, ANOUAR BRAHEM, KAYHAN KALHOR, ELIYAHU SILLS, NAIRUZ, and DHAFER YOUSSEF. 

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PGM 1350 'KYLA DAWN' ; june 7-14

If you ask KYLA DAWN who she is, she’ll say a yoga instructor, dancer, and transformational guide. That sounds like someone from Northern California, doesn’t it?

If you ask me, I’ll say she’s also a talented music curator with perfect taste in the latest ambient, contemplative and therapeutic music for her classes, where she focuses on what she calls “the inward journey experience.” And since the inward journey experience is exactly what we’ve been doing for over 40 years on the radio and now online, it makes sense that Kyla is our guest producer for this transmission of HEARTS of SPACE called…wait for it…KYLA DAWN.

Music is by TIM SCHEUFERT+SHWIN, LIAM THOMAS, KUMEA SOUND, CALM WHALE, EIRLYS, ESSIE JAIN, JANE WINTHER+RAMAN MAHARJAN, ELIJAH RAY, JACK DT, and SEA OLEENA.

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PGM 1349 'OCEANIC REALMS 2' : june 23-30

It's been over 50 years since electronic music emerged from academic laboratories and embarked on the road to mainstream popularity. One of the most influential early artists was Greek musician EVANGELOS PAPATHANASSIOU—mercifully shortened to VANGELIS—who began as the keyboard player of the biggest rock band ever in Greece (APHRODITE'S CHILD), then quit and moved to London, where he began scoring films and documentaries.

While the Germans focused on technology, Vangelis adapted the Romantic Classical genre to electronic keyboards, created lush, melodic, emotionally expressive music, and became an A-list film composer. It's a style that still reverberates today.

On this transmission of Hearts of Space, inspired by a classic Vangelis album celebrating the world's oceans, a deep blue journey called OCEANIC REALMS 2. Music is by VANGELIS, THE AMNIS INITIATIVE, APOCLIPTIC & ROMERIUM, LOSCIL, JEAN-MICHEL JARRE, RUDY ADRIAN, and LIQUID MIND.

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PGM 1348 'AMBIENT TRAVELER 3' : june 16-23

In retrospect, it was inevitable. When high quality portable tape recorders became available after World War II, ethnomusicologists took them into the field to document the living folk music traditions of Europe, the Americas, the Middle East, Africa, Asia, and beyond.

Then came the 12" LP record in 1948, and these recordings began to circulate around the world, as specialty labels like the Nonesuch Explorer Series inspired an era of cross-cultural influences and collaborations. Ethnic artists traveled west to perform and record, while western musicians traveled far and wide to engage with these genres. Ambient and electronic artists who created music for virtual travel were highly receptive to these influences, and in time they evolved the sophisticated World/Ambient styles we have today.

On this transmission of Hearts of Space, we return to the place where world music meets ambient, on a program called AMBIENT TRAVELER 3. Music is by ROBERT RICH, FORREST FANG, AL GROMER KHAN, LOREN NERELL & MARK SEELIG, and STEPHAN MICUS.

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PGM 1347 'TRANSLUCENT GUITARS' : june 9-16

Consider the guitar, spacefans. it's arguably our most ubiquitous instrument. These days, it comes in many varieties: acoustic and electric, folk and classical, nylon and steel string, slide and electronic—to name a few. And when it comes to creating ambient music, the kind of guitar matters quite a bit.

Acoustic guitar tends toward classic tunings and slow tempos, with conservative use of effects; electric guitar is almost the opposite, with aggressive use of effects, feedback, and modifiers. And though the results vary widely, it's still recognizable as a guitar. But with the electronic guitar, you might never know the sound came from a guitar at all—the instrument has been redefined, dematerialized, and effectively disappeared. The guitar becomes a playable "user interface"—a familiar way to control synthesizers and other electronics.

On this transmission of Hearts of Space, the evolving world of the ambient guitar, on a program called TRANSLUCENT GUITARS. 

Music is by TOM CAUFIELD, COLIN EDWIN & JON DURANT, CRAIG PADILLA & MARVIN ALLEN, JOHN GREGORIUS, DARSHAN AMBIENT, ROBIN GUTHRIE, HAMMOCK, CARL WEINGARTEN, JUHA-MATTI RAUTIAINEN, JEFF PEARCE, and DELAY TACTICS.

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PGM 1346 'INDIA NAVIGATION 2' : may 26-june 2

It’s been almost seventy years since the arrival of Indian classical music in Europe and the United States. Starting in 1956, English violinist YEHUDI MENUHIN’s interest in Indian music led to collaborations and concert tours with two of the then hottest young musicians in India—sitar master RAVI SHANKAR and sarod master ALI AKBAR KHAN. It was the beginning of a period of cross-fertilization of Indian and Western classical music. And in the 1960’s, the famous adoption of the Indian sitar by GEORGE HARRISON of THE BEATLES brought awareness of Indian music to the mainstream.

Today, recordings, films, videos, and digital networks have led to a broadening of cultural communication, where influence and interaction occur across many genres simultaneously. Western musicians study Indian microtonal scales, play Indian instruments, and create new hybrid styles—while Indian musicians study western tempered scales, harmony, and orchestration, play electronic instruments, and extend the traditions of Indian music to an international audience.

On this transmission of HEARTS of SPACE, contemporary, traditional, and sacred sounds of India, on a program called INDIA NAVIGATION 2.

Music is by sitarists JASDEEP SINGH DEGUN, ANOUSHKA SHANKAR, and NILADRI KUMAR, bansuri flutists MARK SEELIG and VIRGINIA NICOLI, sarod and santur by CHINMAYA DUNSTER, and producer CRAIG PRUESS and the great devotional singer ANURADHA PAUDWAL.

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PGM 1345 'THERAPEUTIC MUSIC' : may 12-19

For thousands of years, music has been used for therapy and healing. From the ancient lyre, the harp, and other stringed instruments, to the resonant percussion sounds of bells, bowls, gongs and cymbals, it’s long been known that music has the potential to heal both the physical body, and the psyche.

So it should be no surprise that from the earliest days of New Age music, some artists made claims for the therapeutic, stress-reducing, or healing qualities of their music. Here, language matters: therapeutic and stress-reducing express both the intention of the artist and the function of the music; healing is a much larger claim, more subjective, and much harder to prove.

On this transmission of HEARTS of SPACE—we explore these stress-reducing sounds, and on a program we’ll call (conservatively...) THERAPEUTIC MUSIC. We have selections by English musician ESSIE JAIN, therapeutic music pioneer STEVEN HALPERN, MOSHI MOSHI DESU, MAUREEN-JI & UNIVERSAL SYMPHONIES, Norwegian musician EIRLYS, the Los Angeles duo BIOMUSIQUE, and crystal bowls by TRYSHE DHEVNEY.

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PGM 1344 'GAME SCORES 2' : may 5-12

From humble beginnings as cheap electronic toys in the 1970s, video games have evolved into a multi-billion dollar worldwide industry, second only to television, and bigger than global sports, movies, radio, live and recorded music, audiobooks and podcasting…combined.

Today, video games can be comparable in technical and artistic quality to feature films. Over five decades, the technology developed to support high resolution video and audio, and video game music has become increasingly sophisticated.

On this transmission of HEARTS of SPACE based on awesomely comprehensive music research by guest producers JOHN WEDGEWORTH and HUGUES of the NERD NOISE RADIO video game music podcast—ambient, electronic, orchestral and environmental music from video games, on a program called GAME SCORES 2.

We have music from the soundtracks of ECCO: THE TIDES OF TIME / FINAL FANTASY TEN / 3D MUSEUM / THE LAST STORY / FORECAST CHANNEL / SAMAROST 2 / ZWEI 2 / TWO DOTS / MYST 3: EXILE / OUT OF THIS WORLD / SUBNAUTICA 2: BELOW ZERO / STRAY /NO MAN’S SKY / CONTRADICTION / and MINECRAFT.

It’s another report on the fantastic immersive worlds of video games: GAME SCORES 2...on this transmission...of Hearts of Space.

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PGM 1342 'TRANSONIC 2' : apr. 14-21

"Electro-acoustic"—a clumsy, literal name for an increasingly refined genre of contemporary music.

Of course 99% of the music made by humans over the centuries was made with acoustic instruments, some of which used the most advanced technologies of their time. The rate of change accelerated in the late 19th and early 20th century/ with the invention of telephony, radio, and recording. Along with new electronic instruments, electronics were applied to existing acoustic instruments, resulting in "electro-acoustic" hybrids like the electric guitar.

For a time, this led to a typical progressive versus conservative battle between acoustic and electronic music, but today most recording artists embrace both, and chose whatever instrument or processor gives them the expression they seek.

On this transmission of Hearts of Space...it's another journey along the electro-acoustic frontier, on a program called "TRANSONIC 2." 

Music is by "BROTHERS" WILL ACKERMAN, JEFF OSTER & TOM EATON, THIERRY DAVID, ROBIN GUTHRIE & HAROLD BUDD, DAVID DARLING & HANS CHRISTIAN, CARLOS DENGLER, ECHO COLLECTIVE with harpist MARGARET HERMANT, and harpist KIRSTEN AGRESTA COPELY.

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PGM 1341 'A STEVE TIBBETTS CELEBRATION' : mar. 24-31

As we slog wearily but hopefully through the last storm of winter and welcome the transition to spring, it’s a good time to reconsider the music of the singular Minnesota guitarist and composer STEVE TIBBETTS—a man who fully lives the life of an artist, while still being a responsible citizen, a compassionate family man, an entertaining storyteller, an international traveler to the mountains of Nepal and the jungles of Bali—and a serious, open-minded musician.

As you might expect from someone with such broad and diverse experience, STEVE TIBBETTS’ music is multi-faceted, wide-ranging, and absolutely unique. He plays both electric and 12 string guitars in a non-standard tuning, and cites influences from jazz, rock, and world music, as well as his lifelong musical partner, percussionist MARK ANDERSON, and producer MANFRED EICHER of his longtime label ECM Records.

On this transmission of HEARTS of SPACE, we focus on his more delicate and contemplative acoustic music, on "A STEVE TIBBETTS CELEBRATION."

We'll feature selections from his 2022 ECM Anthology HELLBOUND TRAIN; from his 1984 ECM album SAFE JOURNEY; and from SELWA, his 2004 collaboration with Tibetan nun and singer CHÖYING DROLMA.

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PGM 1340 'STAR TRACER' : mar. 17-24

More than a hundred years into the evolution of electronic music, and a lot has changed, but some things remain the same. Synthesizers, samplers, Digital Audio Workstations, sound modification tools, and now music software and “plug-in” processors—have opened up an unlimited new creative environment—while the ancient principles of melody, harmony, and rhythm have been joined by the creation of virtual space. And when it comes to virtual space, electronic images of our cosmic environment continue to inspire what we like to call “spacemusic.”

On this transmission of HEARTS of SPACE we’re back to our happy place, with a program of interstellar electronics called STAR TRACER. Music is by S1GNS OF L1FE, ALPHA WAVE MOVEMENT, SUBDREAM, DREAMSTATE LOGIC,TERMINUS VOID, JONN SERRIE, TOM MOORE & MIKE CLAY.

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PGM 1339 'SECRET SOUNDS of TIBET' : mar.3-10

The otherworldly sound of Tibetan Buddhist chant: coarse and guttural in tone, yet powerfully calm and focused. For centuries it was a secret sound heard only in remote monasteries high on the Tibetan Plateau. It found its way west in the Tibetan diaspora, after the Chinese invasion and occupation of the mountain kingdom in 1951.

Along with the deep vocals came a full complement of unique metal instruments, from 16’ longhorns and powerful crashing cymbals, to resonant bowls, and delicate bells of astonishing clarity. A new genre was created by progressive Tibetan monks and adventurous western musicians like HENRY WOLFF and NANCY HENNINGS, with their groundbreaking 1972 album “TIBETAN BELLS.”

On this transmission of HEARTS of SPACE, we immerse ourselves in authentic Tibetan chant and cross-cultural creative hybrids, on a neo-Tibetan/Himalayan journey called SECRET SOUNDS OF TIBET.                                                       

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PGM 1338 'MINIMAL SERENITY' : feb.24-mar.3

It's a perfectly complementary musical combination: the tuned metallic bell tones of the vibraphone and the natural wooden resonance of the marimba. They're both members of the family of mallet percussion instruments, but there's quite a difference in age. The marimba hails from sub-Saharan Africa and is centuries old, while the vibraphone—an updated version of the steel marimba—was invented in Indiana in the early 1920s.

Mallet instruments have been associated with the post-Classical genre of Minimalism since the beginning. They were part of the standard college curriculum in percussion performance, so the early music of TERRY RILEY and STEVE REICH used mallet ensembles to create the precision rhythm patterns in their music.

Today the psychoactive rhythms, consonant harmonies, and simplified elements of Minimalism have influenced many other genres—from post-Classical, Experimental Improvisation, and Contemplative Ambient—to Electronic Dance Music, Techno, and instrumental post-Rock. On this transmission of Hearts of Space, we focus on the quiet side of Minimalism, on a program called MINIMAL SERENITY. Music is by the ARX DUO, MAX RICHTER, NICHOLAS CHASE, ADRIÁN DEMOĈ and ENSEMBLE RICERCATA, and the ABEL-STEINBERG-WINANT TRIO plays SOMEI SATO.

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PGM 1337 'WINTERSPACE 2' : feb.10-17

WINTER—like “The Dude” in the Coen brothers classic THE BIG LEBOWSKI—abides.
Well, maybe endures would be a better way to characterize a season that often overstays its welcome, and is commonly fraught with challenges both natural and human, that test our patience and stretch our resilience.

For ambient electronic musicians, winter inspires the creation of vast, frozen soundscapes, with profound dark drones, cold harmonies, sonic mist, fog, and snow. On this transmission of HEARTS of SPACE, it's another superchilled electronic journey in the virtual north, on a program called WINTERSPACE 2. Music is by ERIK WØLLO, BRIAN ENO, GULAN, CARBON BASED LIFEFORMS, JEFF GREINKE, and ANDREA CALLIGARIS.

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PGM 1336 'NORTHERN LIGHTS 4' : feb.3-10

Every winter we return to the superb folk, classical and contemporary music of Scandinavia and the Arctic north. These small but artistically mighty countries create music that's more significant than cultures a hundred times their size. Say what you will about democratic socialism, but their state-supported educational and cultural systems are second to none, and underwrite the development of creative talent in many genres.

Nourishing it all is the psychological power of the extraordinary natural environment: the cold North sea and volcanic islands, the dramatic coastal mountains and fjords, the vast boreal forests, the visual magic of fog, mist, and snow, and the otherworldly spectacle of the auroras — the famous Northern lights.

On this transmission of Hearts of Space, wintry folk, ambient, and chamber music from Scandinavia and the Arctic north, on a program called NORTHERN LIGHTS 4. Music by ANNBJØRG LIEN, SKÁLD, HAGATHORN, MAIJA KAUHANEN, ARJA KASTINEN, HILDUR GUTHNADÓTTIR, TERJE ISUNGSET, JÓHANN JÓHANNSSON, and ÓLAFUR ARNALDS.

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PGM 1335 'ESSENTIAL ASHRA' : dec.20-27

BERLIN, 1970: Out of the new creative territory opened up by electronics and mind-expanding chemistry comes a modest, hardworking electric guitarist named MANUEL GÖTTSCHING. He would go on to pioneer the sound of the electronic space guitar, help define popular instrumental spacemusic, and even influence the rhythmic foundation of techno and electronic dance music.

Riding the creative ferment of the 1970s, he founded the band ASH RA TEMPEL—later just ASHRA—then continued solo as MANUEL GÖTTSCHING. He was tireless in helping define the original German Kozmik Musik scene, along with KLAUS SCHULZE and legendary groups like TANGERINE DREAM, AGITATION FREE, KRAFTWERK, and CAN. While others got bogged down in theoretical or technical complexity, he concentrated on creating enjoyable music!

MANUEL GÖTTSCHING ascended to the cosmic soundscapes he created in December 2022 at age 70. On this transmission of Hearts of Space, a MANUEL GÖTTSCHING posthumous retrospective, on a program called ESSENTIAL ASHRA.

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PGM 1334 'NILS FRAHM: LONG, SLOW, & DEEP' : jan.13-20

NILS FRAHM emerged out of the third generation of post-electronic German musicians. Trained in classical piano, he moved to Berlin in his mid-20's, where he absorbed the artistic influence and technical orientation of the Berlin school of popular electronic music. He had a talent for memorable melodies, and the flexibility to shine in multiple genres—from solo piano, to electronic ambient, to film music.

With a string of solo piano albums and collaborations to his credit, in the last decade Frahm became an innovative live performer, combining several acoustic and electronic pianos with a battery of electronic instruments and processors into powerful solo performances.

When COVID-19 effectively put a temporary end to live music, Frahm expanded his personal studio and began working on a series of extended contemplative ambient pieces that reflected the atmosphere of solitude and isolation of the pandemic. Free from conventional notions of musical form or pace, Frahm compared them to watching a great waterfall that was both constantly changing and always the same.

What emerged after two years of work was a 3+ hour long triple album of immersive fractal rhythms and extended ambient tone color meditations, mysteriously titled MUSIC FOR ANIMALS. On this transmission of Hearts of Space, our selection of Frahm's elegant, ethereal, transcendent electronic and acoustic ambient from "MUSIC FOR ANIMALS," on a program called "NILS FRAHM: LONG, SLOW, and DEEP."

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PGM 1332 'WINTERTRONIC 3' : dec.9-16

Chalk it up to the German genius for music and technology, but technical innovations from the late 1960s and early 1970s like the "sequencer" (an early manual method of creating repeating rhythm patterns) have not only remained relevant — they've become an essential part of the language of electronic music. At the same time, the fierce, extended winters of Northern Europe created a context that favored clear, bright tones and vast, subzero atmospheres. It led to what came to be called "kosmische musik" or cosmic music.

On this transmission of Hearts of Space, another wintry journey on electronic waves, on a program called WINTERTRONIC 3. Music is by S1GNS OF L1FE, MICHAEL WHALEN, RICHARD BONE, HOLLAN HOLMES, LOSCIL, KEVIN KELLER, and LIQUID MIND. 

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PGM 1331 'CELLO ELEGIES 2" : nov.26-dec.2

Mournful...plaintive...melancholy...somber...sonorous...resonant: the cello is all this and more — a compact, versatile string orchestra in one instrument, with a four-octave range that comes fully alive in the dark days of autumn. On this transmission of Hearts of Space, an autumn journey featuring the plangent tones of the cello, on a program called "CELLO ELEGIES 2." Music is by DAVID DARLING, HANS CHRISTIAN, MAYA BEISER, BLACK TAPE for a BLUE GIRL, ERALDO BERNOCCHI & HOSHIKO YAMANE, JESSE AHMANN, MAX RICHTER, and MARCELLO DE FRANCISCI.

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PGM 1330 'DEEP FLUTES' : nov.11-18

With all the attention given to guitars, keyboards, and synthesizers these days, it's easy to overlook the oldest musical instrument on the planet: the flute. With examples made from bird and animal bones going back over 40,000 years, the flute has played a seminal role in the evolution of music on six continents.

For simplicity, ancient flutes can't be beat: a tube, some holes — done!  In Europe, the modern concert flute evolved to play complex classical music, but since the 1960s, a dedicated group of Native, Ambient and New Age artists has embraced older, simpler ethnic flutes from Native American, South American, Asian, and western folk cultures — combining them with reverberant environments and resonant percussion instruments as vehicles for meditation and healing.

On this transmission of Hearts of Space, the quiet evolution of indigenous aerophones, on a program called DEEP FLUTES. Music is by SHERRY FINZER & WILL CLIPMAN, R.CARLOS NAKAI, ANN LICATER, JAMES MARIENTHAL, VIANNEY LOPEZ, and RAPHAEL GROTEN.

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PGM 1329 'NETHERSONIC' : oct.28-nov.4

Welcome to the astrological house of Scorpio...a time of darkening in the world around us, when Celtic mythology considered the veil between this world and the "world of the spirits" to be at its thinnest. The advent of Scorpio each year brings us the dark ambient genres of gloom, gothic, and dark atmospheres. This music displays a quest for strangeness, a taste for the ominous, and a fascination with darkness, death, and decay that's appropriate for the fall season, and celebrated on All Hallow's Eve.

Solemn sounds, fear, depression, doleful wailing, and mournful processions are the order of the day, but this music also has a mysterious restorative power that comes from the confrontation with challenging emotions. The Greeks called it...catharsis.

On this transmission of Hearts of Space, a doom-y, gloomy, dark ambient descent for Halloween called NETHERSONIC. Music is by ATRIUM CARCERI, MONOCUBE, HINTERLAND, RAISON D'ETRE, SOUND PHENOMENON, CAUL, FRANK BEISSEL & STEVE ROACH.

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