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PGM 978R 'FLOATING WAVES' : july 6-13

Of all the psycho-physical sensations produced by ambient music, perhaps the most widely enjoyed is the feeling of weightless floating.

Of course, there are other ways to achieve this sought-after state: scuba diving, for example, is an exercise in "neutral buoyancy," where the diver floats suspended in the water column, weightless and serene. And scientist JOHN LILLY and others famously promoted "floatation tanks" filled with body-temperature salt water for floating psychonauts.

At the extreme sports end of the weightlessness experience, we have roller coasters, tethered drops like bungee jumping, high pressure air columns, and diving planes with padded interiors.

But let's face it spacefans — music is safer and more accessible than all the others. On this transmission of Hearts of Space, we take an anti-gravity journey in the ambient soundscape called FLOATING WAVES. Music is by THOUGHT GUILD, CARL SAGAN's GHOST, JONN SERRIE, COYOTE OLDMAN, STU JENKS, and CONSTANCE DEMBY.

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PGM 1148R 'INNER RHYTHMS' : june 8-15

The trance rhythms of the Middle East, Asia and Africa are steady, continuous, and slowly changing. Rather than driving you forward like the ubiquitous military march beats of western rock, they patiently insinuate themselves on your nervous system, steady the breath, slow the pulse, and ultimately...transform your awareness. Psychologists call it "entrainment" or "dissociation." The rest of us call it enchantment, rapture, ecstasy, or euphoria. It's all part of the wide world of trance.

Trance rhythms have been used by priests and shamans in non-western cultures for centuries. More recently they've been rediscovered by western musicians seeking an alternative to conventional beats, used by so-called "minimalist" classical composers, and adopted by experimental musicians around the world for their psychoactive power and popular appeal. Trance is also a major genre of Electronic Dance Music, with mind-altering beats heard on dance floors around the world.

On this transmission of Hearts of Space...we're going to insinuate ourselves on your nervous system — in a good way — with soft summer trance music, on a program called INNER RHYTHMS.

Music is by JAMES HOOD, BYRON METCALF, LOREN NERELL, DREAM JUNGLE, and DON LI.

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PGM 1019R 'OCEANIC REALMS' : may 18-25

What's the biggest thing on earth? It's the World Ocean — the total salt water of all the named oceans: Pacific, Atlantic, Indian, Southern, Arctic.

The world ocean is the largest part of the hydrosphere— the system of water, atmosphere and time that gives rise to the water cycle, weather and climate. Over 70% of earth is covered by the oceans, with an average depth of over 12,000 feet. That...is a lot of water. So though we're not an all-ocean planet, we're definitely a water planet.

Everything about the ocean is almost incomprehensibly vast, deep and powerful. Little wonder then, that it's a major inspiration, theme and metaphor for Ambient musicians.

On this transmission of Hearts of Space...we journey across oceans of electronic sound, on a program called OCEANIC REALMS. Music is by MEG BOWLES, MOODSWINGS, DAN POUND, MAX CORBACHO, STEVE ROACH, IGNEOUS FLAME, and PATRICK O'HEARN.

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PGM 1108R 'VERNAL TRANSIT' : april 20-27

The arrival of spring is, as they say about the future, "unequally distributed."
While our friends in the northern states are enduring a last round of snow, the seasonal transition has been underway here in California for over two months.

Whatever your weather, after the grey skies and dark drones of winter, we're due for some spring spacemusic: light, airy, energetic, ready to venture out and enjoy the world around us. On this transmission of Hearts of Space, an hour of sparkling Ambient electronics for spring,on a program called VERNAL TRANSIT.

Music is by ASCENDENT, CONNECT.OHM, STATE AZUR, RAY SAMMARTANO, CHRONOTOPE PROJECT, and ISHQ.

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PGM 981R 'FINGERSTYLE 2' : apr.6-13

The complex, resonant harmonies of the acoustic guitar. Emerging out of Central Asia by way of North Africa, Spain and Italy, the modern Spanish-style guitar has become the world's most popular musical instrument. What, you might ask, is so special about six strings on a medium size box?

Well first, size matters. The guitar has a four octave range; it's flexible, yet small enough to be portable. Second, the acoustic guitar promotes a certain intimacy. Like the harp, it's an instrument that wants to be caressed. It's generally played with the fingers, which are always right where you need them. Finally, the guitar is versatile; it plays notes and chords with equal grace, can be simple or complex, and melts into the music of many cultures. In short, the acoustic guitar has made itself indispensable.

On this transmission of Hearts of Space, another exploration of the acoustic guitar, on a program called FINGERSTYLE 2. Music is by DOUG YOUNG, TOMMY EMMANUEL, WALL MATTHEWS, STEVE GRAHN, RICH OSBORN, WILLIAM ACKERMAN, ALEX DE GRASSI, ESPEN JØRGENSEN, JOHN DOAN, and MURIEL ANDERSON.

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PGM 1007R 'TIME LAPSE' : march 9-16

The perception of time is as elusive as a subatomic particle. As soon as you concentrate on it, it changes.

Something similar happens in the contemporary music genre called Minimalism. Invented in the 1960s by composers looking for an escape from the bitter dissonances and static textures of academic Serialism, artists like LA MONTE YOUNG, TERRY RILEY, STEVE REICH, PHILIP GLASS and JOHN ADAMS created a new approach to composition that changes our sense of time.

Simplicity, silence, repetition, slowly changing phrases, continuous drones, modal tunings and hypnotic patterns created flowing textures and a meditative quality that's influenced Classical and Electronic, Rap and Rock. And the foundations of Minimalism were absorbed by BRIAN ENO in the 1970s and applied to the new language of electronics to create Ambient music.

Today the characteristics of minimalism are so embedded in contemporary music that we hardly notice them. And since the turn of the century, there's been a move to "humanize" the strict forms of Minimalism by adding back the melodic and harmonic sensitivity of Classical music.

No one has had more success at this than Italian composer and pianist LUDOVICO EINAUDI. As I said about him in 2008: "Like fine Italian food, fashion and design, Einaudi's music has a humanized opulence and sensual appeal. The elements are simple and often repetitive, but the effect is subtle, contemplative, satisfying, even profound."

On this transmission of Hearts of Space...the timeless sound of humanized Minimalism, on a program called TIME LAPSE.

Music is by LUDOVICO EINAUDI, JIM FOX, HAROLD BUDD, JERI-MAE G. ASTOLFI, and BRUNO SANFILIPPO.

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PGM 1004R 'ELECTRONIC NORTH' : feb.9-16

In winter, the kinetic rhythms, crystalline tones and subtle timbres of the synthesizer seem to resonate with the chilled landscape. Whether flying over silent fields, frozen lakes and snow-covered hills, evoking the latent energy of the sleeping flora, or sounding the deep notes of a cold and barren world — electronic music creates a soundscape for the season.

On this transmission of Hearts of Space, an hour of superchilled winter electronica, on a program called ELECTRONIC NORTH.

Music is by CHRONOTOPE PROJECT, MARCONI UNION, CONNECT.OHM, OOPHOI & PAUL VNUK JR., and PATRICK O'HEARN.

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PGM 1135R 'OVERCAST' : jan.12-19

 

The typical winter atmosphere is muted and monochrome, under a sky of dense grey-blue clouds. Above, chilled vapor waits to return to earth as cold rain, sleet or snow. On the ground, it's a world of desaturated colors and diffuse shadows, punctuated by storms and relieved briefly by short bright days. Nature sleeps, awaiting the awakening of spring.

The sound of winter is slow, ethereal, subtle, with occasional accents of brilliant white or deep black. Bell sounds and the metal strings of the piano ring across the landscape, supported by profound dark drones.

On this transmission of Hearts of Space, we ride the sounds of winter to a place of deep calm, on a program called OVERCAST.

Music is by BEN LUKAS BOYSEN, JANNE HANHISUANTO, LIBRARY TAPES (DAVID WENNGREN), BRUNO SANFILIPPO & MATHIAS GRASSOW, BIOSPHERE, and SIGUR ROS.

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PGM 1011R 'ELECTRON TRAVELER' : dec.29 - jan.5

Even in the early days, the pioneers of electronic music knew they were on to something special.

Here was a way of sculpting sound that made it like clay — something you could shape to your own creative vision. Today every artist can have electronic tools of almost unlimited power at their fingertips. We've had several generations of musicians tending the electronic vineyards, and these days the sonic wine is available in many varietals.

For example, "Downtempo" is a name invented in the 1990s to describe slowed-down, less intense electronic dance music. It's still beat-y but the atmosphere is chilled; rather than pumping you up, it floats you along with a relaxed vibe that leads to pure Ambient realms.

On this transmission of Hearts of Space...a journey from Downtempo rhythms to Ambient space, on a program called ELECTRON TRAVELER.

Music is by MYTHOS, AES DANA, HIBERNATION, MARCONI UNION, HEALER, and RADIANT MIND.

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PGM 826R 'TO THEE WE SING' : dec.22-29

The legacy of choral singing is never more cherished than during the holiday season, when it brings warmth and light to the winter darkness by opening the heart and feeding the soul. From the Christian churches and cathedrals of Europe and the U.S., to the Orthodox churches of Russia, central Asia, and the Holy Land, the human family gathers to listen, sing, and worship together. 

After more than ten centuries of evolution, some of the finest choral music has been written in the last 100 years by a special breed of contemporary composers, who respect and extend the tradition. 

On this transmission of Hearts of Space, another compilation of sublime choral pieces from our longtime guest producer for sacred and classical music ELLEN HOLMES called TO THEE WE SING.

Music is by ARCHBISHOP IONAFAN, NIKOLAI KEDROV SR., SERGEI RACHMANINOV, N.FRUNZA, GEORGIA KELLY, DOBRI CHRISTOV, GEORGIY SVIRIDOV, URMAS SISASK, MORTEN LAURIDSEN, and M.KONSTANTINOV.

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PGM 1129 'ELECTRON TRAVELER 2' : nov.24-dec.1

If you make music with conventional acoustic instruments, you know in advance what each of them will sound like; your sonic choices are in the combination of instruments and how they're played.

On the other hand, if you're an electronic musician, you have to choose or invent every sound you work with, a process we now call "sound design." These days there are pre-designed electronic sounds built into instruments and software, but the variety is much greater, and the choices...are endless.

So the electronic sounds you select or create are as much a part of your artistic identity as the music you make with them. And when it comes to ambient electronic music, you have to add the virtual dimensions of space and atmosphere. Taken together, these elements give electronic music its unique psychological character.

On this transmission of Hearts of Space, ambient electronics for the fall/winter transition, on a program called ELECTRON TRAVELER 2. Music is by ENIGMA, SOLOMON GREY, NERVOUS_TESTPILOT, BIOSPHERE, MARTIN KENNEDY, CHRONOTOPE PROJECT, RUDY ADRIAN, TOM EATON, and DEEPSPACE.

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PGM 993R 'CATHARSIS' : oct.27-nov.3

We owe our Pagan ancestors thanks for their recognition of the special days of late autumn — a time of restless spirits, spawned by all things dark and fear-full.

The advent of the house of Scorpio each year brings the ambient genres of gloom, Gothic, and dark atmospheres to the fore. This music displays a romantic quest for strangeness, a taste for the ominous, and a fascination with death and decay that's appropriate for the fall season, even celebrated on All Hallow's Eve by fans of the macabre, the ominous, the morbid, and the diabolical.

It's a taste that's both aesthetic and cathartic: a willful immersion in our ancient limbic emotions of terror and fear. And (to look on the bright side of a dark picture) a reassuring exercise of our impulse for self-preservation.

On this transmission of Hearts of Space...a Halloween experience called CATHARSIS. Music is by CAUL, SCEPTRE, LIGHTWAVE, JOE RENZETTI, HAR, MINGO and BETWEEN INTERVAL.

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PGM 958R 'AFTERGLOW' : sept. 29-oct.6

In the golden days that follow the autumn equinox, the natural world enters a period of recession. The heat of summer often lingers while the light declines; the evening crickets sing their hearts out in a final quest for immortality, and the withering leaves crackle underfoot as the trees begin their seasonal transformation.

It's a time that calls for a special music: contemplative, melancholy, austere...beyond ambition. A music of pure tones and slow melodies — elegant, unassuming, suffused with quiet beauty. The classic combination of the piano and the cello sounds the season perfectly, with clear, bell-like notes ringing over a rich, dark foundation. For this sound, we return every autumn to the immaculate recordings of the German ECM label.

On this transmission of Hearts of Space, sublime chamber music for the autumn transition, on a program called AFTERGLOW.

Music is by pianist KETIL BJORNSTAD with cellists SVANTE HENRYSON and DAVID DARLING, and French pianist FRANCOIS COUTURIER.

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PGM 1052R 'TRANCEWORLD' : sept. 8-15

The concept of trance has a long and complicated history. Originally "a dazed, half-conscious or insensible condition or state of fear," the meaning has evolved to include many unusual or altered states of consciousness associated with hypnosis, meditation, magic, prayer, addictions, and ecstasy.

Trance states are characterized by repetition, so music is a prime instigator in both ethnic and social cultures, including high-energy styles of electronic dance music.

On this transmission of Hearts of Space, we ride hypnotic beats into strange realms and magical summer nights, on a program called TRANCEWORLD.

Music is by GREEN ISAC, KOUAME SEREBA & ERIK WOLLO, DREAM JUNGLE, ROBERT RICH, LOREN NERELL, LARAAJI, MAX CORBACHO & BRUNO SANFILIPPO.

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PGM 950R 'RECUERDOS' : aug.25 - sept.1

The sublime nostalgia of Recuerdos de la Alhambra —"Memories of the Alhambra" — a classic tremolo study for Spanish guitar by FRANCISCO TARREGA. It recalls a golden age in the Andalusian city of Granada in the 13th and 14th century, during a perhaps more enlightened period in human history.

It was an era of some 800 years, from the 8th to the 15th century, when the Moors of North Africa ruled "Al-Andalus" (as Spain was called) and religious and political co-existence was the order of the day. Art, music, architecture and poetry flourished, and Muslim, Jewish and Christian cultures co-existed in harmony. It stands today as a shining reminder that we can, in fact, get along.

On this transmission of Hearts of Space, music inspired by this great Spanish/Moorish/Mediterranean tradition, on a program called RECUERDOS.

Music is by MILOS KARADAGLIC, ARMIK, AMINA ALAOUI, and THE AL-ANDALUS ENSEMBLE.

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PGM 1017R 'SOLAR WINDS' : aug.18-25

An encore program to celebrate the solar eclipse of August 21st, 2017.

In summer, the energy of the sun seems more intense. But the sun is a nuclear furnace that never stops, and the sun's corona is so hot that high energy particles there reach escape velocity, flying into space at over a million miles an hour in a stream called the solar wind. 

Made of ionized atomic particles and magnetic fields from the sun's corona, the solar wind is spun into a spiral as the sun rotates every 27 days. Here on earth, variations in the sun's magnetic field carried by the solar wind create auroras — the northern and southern lights — the plasma tails of comets, and geomagnetic storms that can knock out power grids. 

On this transmission of Hearts of Space, another interstellar journey on electronic waves, on a program called SOLAR WINDS.Music is by JOHN LYELL, BROEKHUIS, KELLER & SCHONWALDER, MEG BOWLES, CHRONOTOPE PROJECT, CRAIG PADILLA & ZERO OHMS, HOLLAN HOLMES, and NIMANTY & SOULRSOUL.

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PGM 1050R 'MIDSUMMER NIGHT 3' : july 21-28

The long days and short nights of midsummer are a special time. We retreat from our intense work schedules and attend festivals and celebrations, some crowded and intense, others quiet and restorative. We travel, take vacations, entertain friends and relax on warm summer evenings. As the night deepens, activity fades, and the lulling sounds of nature and warm breezes create a seductive environment, inspiring ambient composers to create poetic images of a soft, nurturing night.

On this transmission of Hearts of Space, an hour of ambient music for the season, on a program called MIDSUMMER NIGHT 3.

Music is by ASCENDANT, DEEPER NET, ISHQ, ALTUS, S7VEN, CLAUDIO CASANUEVA, and RUDY ADRIAN.

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PGM 1048R 'CLOUD NINE' : june 30-july 7

Summer...inspires an even more ethereal brand of Ambient electronica. Whether flying or floating on the balmy breezes, the sounds are airy and the movement is light and buoyant. The words we use to describe the moods it creates are superlative: joyous, blissful, ecstatic, delightful — even heavenly. And when it comes to heaven—for some reason we prefer the 7th.

On this transmission of Hearts of Space, an ambient-electronic-summer-journey called CLOUD NINE.  Yes, we also number the clouds.

Music is by CHRONOTOPE PROJECT, FANGER & SCHONWALDER, JOHN LYELL, ARIEL KALMA, and DAVE LUXTON.

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PGM 769R 'BALEARICA' : june 2-9

The Balearic Islands — Mallorca, Minorca, Ibiza, and Formentera — occupy prime real estate in the Mediterranean Sea, just off the eastern coast of Spain. In ancient times, it was a tough neighborhood. The islands were invaded successively by the Phoenicians, Carthaginians, Romans, Vandals, Byzantines, Arabs, and finally...the Aragons.

These days things are lively, but a lot quieter — they're all popular tourist destinations, home to a tapestry of musical cultures that matches their multi-cultural past, and an up-to-date vibe that runs from acoustic to electronic, sensual to chilled.

On this transmission of Hearts of Space, a journey into the Mediterranean soundscape new and old called BALEARICA.

Music is by CANTOMA, BLISS, B-TRIBE, ANOUAR BRAHEM, SAVINA YANNATOU + PRIMAVERA EN SALONICO, DINO SALUZZI, SACRED SPIRIT, and ZEUS FABER.

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PGM 1044R 'ETHNOTRONIC' : may 5-12

THE TRIBAL MUSIC TRADITIONS of Asia, Africa and the Americas stretch back to the mists of pre-history. For perhaps a hundred centuries, music was made with simple, even primitive instruments: flutes, rattles, drums and percussion; lyres, harps and strings; and wind instruments of various sizes and tones. It was an all-acoustic world, where music and instruments evolved slowly.

Then in the late 19th and 20th centuries, electricity and electronics began to transform the world and transform music. First came the telegraph and the telephone, then radio, then recordings, and then the instruments themselves. Guitars and pianos became electric...and then electronic. And finally, purely electronic instruments of dazzling variety and unlimited potential to create new sounds.

After the electronic music revolution of the 1960s and 70s, the entire studio became a musical instrument, and the sound of recordings has never been quite the same. Today, ethnic instruments and genres can be set in new Ambient soundscapes, a fusion of the old world and the new.

On this transmission of Hearts of Space, ethnic instruments join electronic ambient, on a program called "ETHNOTRONIC."  Music is by TUU, GREEN ISAC, SACRED EARTH, CHINMAYA DUNSTER, MANEESH DE MOOR, ARCHETRIBE, LOREN NERELL & MARK SEELIG, STILLPOINT and MICHEL BANABILA..

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PGM 908R 'CLOUD OF PROMISE' : apr. 7-14

 

The sound of a verdant landscape on a bright spring day. It reminds us of the natural environment that's nurtured us since the beginning of life on earth.

Looking out, our eyes come to rest on the horizon, the distant sky and delicate clouds. These are worlds that composers of environmental ambient music bring to us, melding sounds of the natural world into their music, and creating atmospheric soundscapes for us to travel in.

In the last 50 years, we've begun to recognize our responsibility to the environment — for ourselves and for generations to come. Forest, mountain, jungle, grassland, desert, tundra, ocean:  whatever your favorite, environmental music sends a message beyond ideology or politics — to cherish our relationship to the natural world and expand our hope for the future.

On this transmission of Hearts of Space, a terrestrial-ambient-future journey called CLOUD OF PROMISE. Music is by ATOMIC SKUNK, CHAD KETTERING, MICHAEL STEARNS, RESONANT DRIFT, MAX CORBACHO, and DAN POUND.

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PGM 1071R 'CELTIC LEGACY 3' : mar.10-17

Another year rolls by, and with it our early spring celebration of St. Patrick's Day and all things Celtic. And when it comes to traditional Celtic music, it seems to be a bit bipolar — half lively, manic jigs and reels; half sad, some might say depressive, ballads. But it's all good, because you'll not find a more beautiful folk music tradition anywhere.

Of course these days the Celtic homelands are all thoroughly modern countries, but the music lives on, ready to be reborn by a new generation of musicians and rediscovered by a new generation of listeners.

On this transmission of Hearts of Space, another journey to the slow, heartfelt side of Celtic music, on a program called CELTIC LEGACY 3.

Music is by JEFF JOHNSON, BRIAN DUNNING & WENDY GOODMAN, MOYA BRENNAN, PHIL COULTER, SECRET GARDEN, WILLIAM DOWDALL, AINE MINOGUE, and JOHN DOAN.

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PGM 406R 'GRAY LIGHT' : feb.24-mar.3

Winter...blankets the landscape with a leaden, contractive force, relieved by intense contrasts. Defying the cold and dark, the primordial hearth casts a soothing glow. The brilliant sun of day and bright stars of the winter night contrast with the ashen tones of a natural world in hibernation...while in the winter soundscape, somber bass drones and dense atmospheres are relieved by crystalline accents.

On this edition of Hearts of Space, a classic electronic winter journey called GRAY LIGHT. Music is by VANGELIS, MARK DWAYNE, CHRIS SPHEERIS & PAUL VOUDOURIS, KLAUS SCHULZE, KEVIN BRAHENY & TIM CLARK, LIQUID MIND, and BOB CHARLESWORTH.

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PGM 1103R 'INTIMACY' : feb.10-17

This week we shine some light into the depths of winter with the celebration of Valentine's Day. The legend of Saint Valentine goes back to an early Christian martyr in 3rd century Rome. We can thank Chaucer for the connection to romantic love in the 14th century, and the Hallmark Corporation for turning it into a yearly holiday with cards and gifts.

The tradition offers a natural connection to quiet musical dialogues that express the sensitive connection between lovers. On this transmission of Hearts of Space, Ambient chamber music and duets for the season, on a program called INTIMACY. Music is by JAMIE SIEBER, BOB KINDLER, RAPHAEL, PETER KATER & TINA GUO, JOSEFINE & TRINA OPSAHL, DAVID DARLING, and MONICA ROBELOTTO.

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PGM 863R 'CONSONANCE' : jan. 20-27

The formal, pious, monarchical cultures that produced what we call Medieval and Baroque music seem worlds removed from the chaotic multicultural intensity of our era. Yet, whether coming from cathedral or castle, dedicated to the glory of God or the entertainment of man, whether modal or harmonic, monophonic or polyphonic, homorhythmic or contrapuntal — European music from the Middle Ages to the 18th century still speaks eloquently, and carries a message of faith, civility and grace across the ages.

On this transmission of Hearts of Space, we revisit some of the masters of this period — GESUALDO, DOWLAND, HANDEL, and BACH — on an Early Music, Baroque and contemporary journey called CONSONANCE.

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