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PGM 1239R 'FROZEN TIME 2' : jan. 21-28

There's a complementary relationship between classical string instruments and the extended winters of northern Europe, where the string family evolved. In the chilled, wet, gray winters north of the Mediterranean, the rich harmonies and bright overtones of the string family pierce the cold and dark, and touch our souls.

Whether the music is noble and expansive, somber and melancholy, or quiet and contemplative—it nourishes the spirit and warms the heart. Today, a new breed of classical composer/performers in Europe and the U.S. are combining strings, electronics and studio techniques to create a contemplative ambient music for the 21st century.

On this transmission of Hearts of Space, warm winter strings and cool electronics for the season, on a program called FROZEN TIME 2. Music is by MARTIN TILLMAN, HANS CHRISTIAN, DAVID DARLING, CHRISTOPHER TIGNOR, JOAN JEANRENAUD, and MAX RICHTER.

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PGM 861R 'NIGHT LIGHT' : dec. 24-31

The austere folk music of Norway and the Scandinavian countries has a paradox at its heart: in a land of frigid Arctic winters and stark, glacial landscapes, the music overflows with warmth and beauty. And while the winter days are dark, the nights are illuminated with the intoxicating spectacle of the northern lights.

On this transmission of Hearts of Space, a Nordic winter's journey called NIGHT LIGHT, featuring Norwegian lullabies sung by VIDIA WESENLUND with music by MICHAEL STEARNS, plus selections by ANNBJORG LIEN, LENA WILLEMARK & ALE MOLLER, OYSTEIN SEVAG, and STREIF.

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PGM 896R "HYMNS and PSALMS" : dec. 10-17

In our year-end festivals of sacred music, we touch a human ritual whose origins are lost in time.

For millennia, we've gathered in churches and sanctuaries to sing, worship, listen and renew our spirits. On this transmission of Hearts of Space, a year's end celebration of the treble voice, the massed chorus, and the sublime world of sacred sound, on a program called HYMNS and PSALMS.

Music is by LIBERA, STATE OF GRACE, GIORGIA FUMANTI, HAYLEY WESTENRA, LUMINOUS WORLD ORCHESTRA, KEVIN KELLER, ARVO PART, and ALFRED SCHNITTKE.

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PGM 1211R 'ELECTRON TRAVELER 4' : nov. 26-dec. 3

Flying...and Floating.

As a literal description of the experience, it goes back to the early days of popular electronic music and the early days of Hearts of Space. Over the years we've done programs called Floating Whispers, Floating Worlds, Floating Gardens, Floating Reveries, Floating Waves, Floating Winds, and yes, Flying and Floating 1, 2, and 3. 

Back then I said "flying music is rhythm-powered and moves through space, heading for worlds beyond; floating music is goal-free—ethereal, static, and timeless."

You know, I can't really add anything to that. We still enjoy expanding into unlimited virtual spaces, and yearn for the quiet pleasure of weightless suspension in time.

On this transmission of Hearts of Space, another journey in our electronic touring series, on a program called ELECTRON TRAVELER 4. Music is by ASCENDANT, KEVIN KELLER, ALPHA WAVE MOVEMENT, DWIGHT LOOP, MASSERGY, and ERIK WØLLO.

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PGM 1027R 'RUMINATIONS' : nov. 5-12

In the cooling nights of autumn, we return to the treasury of music on the German ECM Records label. For quality, consistency, and unity of vision, ECM has no peer. In the post-genre, trans-cultural world of ECM, the motto is "The Most Beautiful Sound Next to Silence."

It began in 1969 as Editions of Contemporary Music, focused on European jazz. In the course of over 1200 albums, the repertoire has broadened to include classical music both old and new on the ECM New Series, as well as innovative recordings of contemporary folk, world and experimental music.

Yet for all the breadth, depth and variety of the ECM repertoire, there are sonic and emotional streams that run through the entire catalog, the product of the refined sensibility and native perfectionism of ECM founder and producer MANFRED EICHER.

On this transmission of Hearts of Space, the introspective, atmospheric sound of ECM Records, on a program called RUMINATIONS. Music is by ELENI KARAINDROU, JOHN SURMAN, MIROSLAV VITOUS & JAN GARBAREK, EBERHARD WEBER, and EIVIND AARSET.

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PGM 1197R 'TWILIGHT EARTH 4' : oct. 15-22

The dulcet tones of the Native American cedar flute have inspired a soothing sub-genre of contemplative music. Pioneered by native musicians from the American Southwest, over the last 30 years the genre has attracted non-native musicians, who expanded into electronics and exotic percussion. It's a sound we enjoy in the fall, when it complements the mellow light and withering colors of the landscape, and evokes the vast, echoing canyons of the high desert. 

On this transmission of Hearts of Space, an Indian Summer journey for Native American cedar flute, on a program called TWILIGHT EARTH 4.

Music is by ANN LICATER, COYOTE JUMP, COYOTE OLDMAN, BYRON METCALF, JOHNNY WHITEHORSE, PAMELA WHITMAN & RICH KURTZ, TONY GERBER, MYSTERIES OF THE NIGHT, and SCOTT AUGUST.

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PGM 923R 'PIANOSPHERES' : sept. 17-24

This week we pass through one of the yearly waypoints on our journey around the sun. The Autumnal Equinox, with day and night of equal length, marks the start of the Fall season in many countries. As the air cools and the shadows lengthen here in the Northern Hemisphere, it's a good time to return to the sublime world of the contemplative piano.

On this transmission of Hearts of Space, a program of solos and duets, acoustic and electronic keyboards and rare ambiences called PIANOSPHERES. Music is by KJETIL BJERKESTRAND, RALPH ZURMUHLE, HAROLD BUDD, LUDOVICO EINAUDI, BRUNO SANFILIPPO, DAVE EGGAR, RYUICHI SAKAMOTO, KETIL BJORNSTAD & DAVID DARLING.

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PGM 1186R 'TRIBAL AMBIENT' : aug.20-27

It's not all that often that a new strain of popular electronic music arrives in the culture fully formed, but it happened in 1988 in the wake of STEVE ROACH's ground-breaking album DREAMTIME RETURN. Like Stravinsky 75 years earlier with The Rite of Spring, Roach realized that electronic music needed a dose of primitive energy and physicality — and he found it in the trance-inducing music of the aboriginal tribes of Australia.

The new genre was called "Techno-Tribal" and it combined electronic atmospheres with primitive rattles, drums, rocks, and the aboriginal didgeridoo. If our current political tribalism is an index of popularity, tribal music should be all the rage. But most electronic artists are urban, and have been influenced by Electronic Dance Music.

On this transmission of Hearts of Space, ethnotronic atmospheres meet trance percussion, on a program called TRIBAL AMBIENT. Music is by STEVE ROACH, BYRON METCALF & JENNIFER GRAIS, INLAKESH, FRORE & SHANE MORRIS, JOHN VORUS, D LOOP and KEVIN BRAHENY FORTUNE.

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PGM 919R 'BAYOU MOON' : aug.13-20

Gather 'round all you swamp fans. This one's for you.

Yes, the great Mississippi Delta, home of deep Southern Blues, Cajun, Dixieland, jazz, funk — and let's-not-forget "sludge metal" — is callin' you, on a program called BAYOU MOON.

On this transmission of Hearts of Space, we wade into a hot and humid zone with a unique culture and a sense of place you can feel on your skin. Like a thick mist drifting out of the marsh, wetlands and barrier islands, bayou country has its own ambience, a sound that blends blues, creole, Indian, Cajun and jazz — and seasons it with a heavy coat of swamp sauce. It's one of the most distinctive cultural blends you'll find anywhere.

Music is by TOM NEWMAN, MICHAEL BROOK, RY COODER, DANIEL LANOIS, PATRICK O'HEARN, TINO IZZO, and HAMMOCK.

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PGM 1141R 'PRANA PULSE' : july 16-23

One of the truly improbable results of 20th century cultural openness and experimentation has been the international success of yoga. From its origins as a means of physical support for Indian meditation practice, yoga came west with counterculture explorers in the 1970s, took root, and against all odds became a standard of the western fitness industry.

Today, yoga fuels burgeoning spin offs in clothing, fashion, video and accessories — as well as a hyperactive genre of India-inspired electronic music — not only for yoga practice and meditation, but for so-called "ecstatic dance" and other group activities. Over the last 20 years, the international yoga community has come together to create dozens of "transformational festivals" every summer, which provide live performance opportunities for the musicians, along with exercise and spirituality.

On this transmission of Hearts of Space, groove-centric, globally percussive, tribal-electronic, Indo-Ambient sounds for transformational festivals, ecstatic dance, yoga and meditation, on a program called PRANA PULSE.

Music is by SHAMAN'S DREAM, MOLLONO.BASS, DESERT DWELLERS, AL GROMER KHAN, ANUGAMA, DEUTER, and RAJENDRA TEREDESAI.

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PGM 1216 'ADVENTURES IN PSYBIENT' : june 18-25

In the fervent, prolific, always evolving field of popular electronic music, genres rise, shine, and set—often with alarming speed. So it's reassuring to know that the relatively long-running streams of Psychedelic and Trance music have embraced the cool sonorities and spatial sound images of Ambient—giving birth to the variously named hybrids Psybient, Psytrance, or just Psy. It's a realm worth exploring. 

On this transmission of Hearts of Space—what happened when Psytrance Met Ambient, on a program called ADVENTURES IN PSYBIENT. It's a love story, with music by SHPONGLE, AROKEM, MASTER MARGHERITA, LAB'S CLOUD, BLUETECH, ADHAM SHAIKH, and ISHQ.

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PGM 1215 'VERNAL FLIGHT' : may 28-june 4

Spring has long been the most unpredictable of seasons—these days, more than ever. This week we had a bit of January in May here in Northern California; next week it'll be like high summer. Everything is changing, and the wind rushes in every direction in a futile effort at equilibrium. 

The seasonal winds inspire ambient musicians to create an airy, open music with flutes and electronics, and we can ride the sound currents like birds in search of new frontiers. On this transmission of Hearts of Space, an airy, windy, floating journey for spring, on a program called VERNAL FLIGHT.

Music is by PETE KUZMA, BYRON METCALF, MICHAEL BRANT DeMARIA, COYOTE OLDMAN, TOM MOORE & SHERRY FINZER, LARKIN, PAUL AVGERINOS, STEPHEN PEPPOS, and RUDY ADRIAN.

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PGM 1193R 'FLOATING WORLDS 2' : apr. 30-may 7

One of the core experiences of ambient and electronic spacemusic is the feeling of weightless floating. These subtle sounds seem to dematerialize us, expand our personal space, and slow our sense of time. It's kind of magical — and for many of us, highly pleasurable, even addictive. 

Since the introduction of mass-produced electronic instruments in the 1970s, anyone can create floating textures, but even if you're just a listener, the experience is widely enjoyed and often described in therapeutic terms as relaxing, healing, and transformative. 

On this transmission of Hearts of Space, another anti-gravity journey on electronic waves, on a program called FLOATING WORLDS 2.

Music is by PAUL AVGERINOS, ERIK WØLLO, HOWARD GIVENS & CRAIG PADILLA, PHILLIP WILKERSON, and MAX CORBACHO.

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PGM 1073R 'DREAMS OF SPRING' : apr. 9-16

It's official: spring at last. After the proverbial long hard winter, spring takes on an almost mythic appeal. Of course, here in California, it's been spring on and off for several months. So first, our sympathies to those whose winter must have seemed interminable.

The music of spring expresses renewal and rebirth, with energy, buoyancy, optimism and hope for the season to come. Ambient composers mix flowing water and other natural sounds into their compositions, along with airy, ethereal flutes and keyboards, to create nature-inspired meditations.

On this transmission of Hearts of Space, an ambient excursion for the season, on a program called DREAMS OF SPRING. Music is by DEUTER, PETER KATER, SHERRY FINZER, MANEESH DE MOOR, STEVEN HALPERN & MICHAEL DIAMOND, and (no kidding) CHRISTOPHER of the WOLVES.

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PGM 974R2 'THE CELTIC ROAD' : mar. 12-19

This week, dear listeners, we come once again to our yearly celebration of all things Celtic. Though the time has passed when Celtic music was trending, it's a tradition that continues to evolve. Ireland has boomed and bust, and through it all the beauty and spirit of Celtic music has continued to charm audiences around the world, with its brilliant dances and heartfelt airs and ballads.

In the poetic imagination of the Celtic bards and troubadours, travel metaphors are as common as thoughts of home. On this transmission of Hearts of Space, we take another journey across those green and rocky lands, on a program called THE CELTIC ROAD.

Music is by DAVY SPILLANE, MOYA BRENNAN, LISA LYNN & ARYEH FRANKFURTER, LOREENA McKENNITT, AINE MINOGUE, DAVID ARKENSTONE, BRAGH ADAIR, and JAMES GALWAY & PHIL COULTER.

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1206R 'WINTERTRONIC' : feb.26-mar.5

Winter...has a way of overstaying its welcome. After several months of sullen skies, numbing cold, and too many days of frigid rain, sleet, or snow—even the most ardent champions of the season fall silent. We've arrived...at forbearance. 

Here in California, the trees blossom in mid-February regardless of the weather. After a big rain, the ground is strewn with pink and white petals. Soon the storms will taper off and spring will arrive. For most of the country though, there's still a long time to wait. 

Ambient electronic artists find inspiration in the winter atmospheres, and create music with dark drones, virtual storms, chilled tones, and monochromatic harmonies. On this transmission of Hearts of Space, it's another wintry journey on electronic waves — on a program called WINTERTRONIC.

Music is by TRANSPONDER, HOLLAN HOLMES, SOLARIS, NETHERWORLD, BLUETECH, KIRSTY HAWKSHAW, JANNE HANHISUANTO, and ILUITEQ.

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PGM 1236R 'NORTHERN NIGHTS 2' : jan.29-feb.5

The polar night…deep, still, and silent.

As our world warms, it's punctuated by sounds of ice...melting, cracking and falling.

Overhead the auroras paint the sky with ghostly green light, as charged particles from the sun interact with the earth's magnetic field. It's a vast, solemn environment that inspires ambient and electronic musicians to create vast, chilled soundscapes.

On this transmission of HEARTS of SPACE, ambient nocturnes from the Arctic north, on a program called NORTHERN NIGHTS 2.

Music is by JANNE HANHISUANTO, MATHIAS GRASSOW & MICHAEL BRÜCKNER, SEETYCHA, ERIK WØLLO, STORMLOOP, BIOSPHERE, RETINA.IT, and ILUITECH.

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PGM 1132R 'POLAR FLIGHT 2' : jan.1-8

We're flying over the north polar icecap — in winter, a dazzling wonderland of white and deep blue. It's a vast glacial world of snow and ice, fractal patterns shot through with veins of melting water. Ambient electronic music, with its chilled harmonies, slowly changing rhythm patterns and endless reverberant sound images, creates the perfect soundtrack for this spectacular landscape.

In the polar night above the Arctic Circle, the winter sun never rises above the horizon; only the hypnotic ion curtains of the auroras relieve the darkness, while the sounds of moving water and breaking ice punctuate the solitude. It's a contemplative environment of sublime majesty and depth.

On this transmission of Hearts of Space, a journey to the Arctic north, on a program called POLAR FLIGHT 2. Music is by ASCENDANT, YAGYA, BANCO DE GAIA, SIMON LOMAX, WINGS OF AN ANGEL, and EASYCHORD.

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PGM 727R 'ANCILLARY DREAMS' (Harold Budd Retrospective 1) - dec.25-jan.1

The revered ambient composer HAROLD BUDD was taken by the Covid-19 virus on December 8th 2020. This is the first of two retrospectives celebrating his life and his music.

Who would have believed when it was written in 1972, that the delicate chamber music that begins this show was actually an act of defiance. "When I told people," says HAROLD BUDD, "that my idea was to make music that was as devastatingly pretty as possible, it was out-and-out politics."

In fact, the California-born composer and ambient music pioneer has always been something of a contrarian. He got a late start in music, getting his degree in composition at the age of 36 at USC in Los Angeles. In the late 1960s he was loosely involved with a circle of Southern California minimalist and avant garde composers, absorbing influences from JOHN CAGE and MORTON FELDMAN, but also from jazz giants like PHAROAH SANDERS and JOHN COLTANE. He even wrote a piece for piano, harp, celeste, and topless female choir. Ah, yes. Those were the days.

In 1970 he began teaching at the California Institute of the Arts. He left six years later after meeting someone who would change his life: English producer, musician and theorist BRIAN ENO. Years later Budd told me with his typical sly wit: "The problem with teaching was that you had to listen to so much bad music."

Eno signed Budd to his new OBSCURE RECORDS label in 1976. Budd and Eno went on to create several influential and widely enjoyed albums — foundation stones of the ambient genre, including THE PLATEAUX OF MIRROR and THE PEARL.

Budd's early works had neo-classical titles, like Madrigals of the Rose Angel and The Pavilion of Dreams. In addition to his musical gifts, he had an ear for language and the sensibility of a poet, able to work with ambiguous images and squeeze emotion out of them. He didn't just do pretty, either. As you'll hear, he explored darker, stranger landscapes: melancholy, forlorn, and highly evocative.

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PGM 1098R 'CARITAS' : dec. 18-25

DECEMBER 2020 IS THE 35th ANNIVERSARY of the first Hearts of Space program created by our guest producer for western classical and sacred spacemusic, ELLEN HOLMES — a labor of love, dedication and stamina that continues to bring us experiences of sublime beauty and depth. Thank you, Ellen. We are all in your debt.

On this winter holiday transmission of Hearts of Space, Ellen brings together sacred choral and instrumental sounds of love, caring and compassion, on a program called CARITAS. The Latin word translates as charity, and is considered the highest of Christian virtues: the divine love of God, as well as the love of one's neighbor and oneself.

The program includes Anonymous early sacred chants: Baroque and Classical choral gems by MARC-ANTOINE CHARPENTIER, WOLFGANG AMADEUS MOZART, CHARLES GOUNOD, and FRANZ SCHUBERT, and sacred choral and classical instrumentals by contemporary composers JOHN TAVENER, IVER KLEIVE, GEOFFREY BURGON, JOHN RUTTER and PATRICK HAWES.

Holiday sounds of love, caring and compassion: CARITAS...on this transmission...of Hearts of Space.

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PGM 957R 'MYSTERIOSO' : nov. 20-27

A classic piece of electronic spacemusic from France by JEAN-MICHEL JARRE. With just a few notes, it creates a whole world of mystery and imagination. Slow, deep, romantic and sublime, it invites us into a place that's unknown and unpredictable, yet alluring.

It's true that all good music takes you away, but since the 1970s artists have been using electronic tools to craft a sound that takes you to places far beyond the reach of ordinary music. Dark ambient electronics have become a vehicle...for transport to deep virtual worlds and exotic environments.

On this transmission of Hearts of Space, a journey on the dark ambient spaceways, on a program called MYSTERIOSO. Music is by JEAN MICHEL JARRE, A PRODUCE & LOREN NERELL, PAUL ELLIS, MEG BOWLES, RICHARD BONE, ERIK WOLLO, KIT WATKINS, and ANDREW LAHIFF.

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PGM 1058R 'THE TWILIGHT ZONE' : oct. 23-30

As we enter the astrological house of Scorpio, here in the northern hemisphere the light is waning, the natural world is withering, and hidden realms are emerging from the shadows. It's a time for music of dissonant harmonies, dark spaces and strange worlds.

I'm STEPHEN HILL and on this transmission of Hearts of Space, a dark autumn journey called THE TWILIGHT ZONE. The title, of course, was made famous by the 1959 science fiction TV series written, produced and hosted by ROD SERLING, featuring stories of the futuristic, the paranormal and the supernatural.

My introductions to Hearts of Space are too often compared to Rod Serling's. Thank you, but have you actually listened to a TWILIGHT ZONE intro lately? Sorry, no way.

Music is by TIM STORY & ROEDELIUS, KEVIN KELLER, BRUNO SANFILIPPO, MICHAEL JON FINK, JEFF GREINKE, ROBERT RICH, THOMAS NEWMAN & RICK COX, and DWIGHT ASHLEY.

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PGM 1231R 'FALLING' : oct. 2-9

THE SUN begins its long withdrawal from the northern hemisphere after the summer solstice in June. After the autumn equinox in September, the transition seems to accelerate. The days grow shorter, the nights grow longer, and the temperature cools, while the natural world changes color and prepares for the winter to come.

Since medieval times we've called this season "fall." The word comes from Middle English, with Old English and Old German roots. Falling implies movement downward, and in autumn declining solar energy brings a feeling of descending or falling into the season. In music it's marked by slowing tempos, descending chord progressions, darkening timbres, and wistful, even melancholy emotions.

On this transmission of Hearts of Space, we descend into the autumn soundscape, on a program called FALLING. Music is by DAVID DARLING, JOEP BEVING, CHRISTOPHER TIGNOR, HAMMOCK, LUDOVICO EINAUDI, and TOM EATON.

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PGM 1158R 'EQUILUX' : sept.19-26

Twice a year, we pass a point of balance and equilibrium in the progression of the seasons. Our planet reaches the place in its celestial journey where the center of the sun rises and sets directly over the equator, and day and night are of approximately equal length everywhere on earth. We call these times the equinox from the Latin for "equal night." A less common but possibly more correct name is equilux or "equal light." 

The September equinox marks the beginning of the new season: autumn, and the time of harvest festivals in the northern hemisphere. On this transmission of Hearts of Space, calm and balanced acoustic ambient for the seasonal transition, on a program called EQUILUX.

Music is by PETER BRODERICK, LUDOVICO EINAUDI, FEDERICO ALBANESE, TOM EATON, FLOW, CARL WEINGARTEN & CATHERINE MARIE CHARLTON, GREG HAINES, A WINGED VICTORY FOR THE SULLEN, and ENZO.

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PGM 1189R 'DEEP DUB' : sept.11-18

The history of Jamaican Dub music is rich and fascinating. Dub grew out of reggae in the 1960s, and evolved well beyond its popular parent. It was a studio craft where producers created instrumental remixes of reggae tracks by removing the vocals, adding echo, reverb and delay, and dubbing in new ambient sounds. Essentially, Dub was an early form of popular electronic music.

If you think all this had something to do with cannabis, you'd be understating the case. In a 1982 essay, LUKE EHRLICH said: "With dub, Jamaican music spaced out completely. If reggae is Africa in the New World, then dub must be Africa on the moon; it's the psychedelic music I expected to hear in the 1960s...and didn't. The bass and drums conjure up a dark, vast musical portrait of outer space, with sounds suspended like glowing planets or the fragments of instruments careening by, leaving trails like comets and meteors."

Dub was a natural link to later electronic genres like techno, ambient, trip hop and electronic dance music. On this transmission of Hearts of Space, the trancey beats of Jamaican Dub and its electronic descendants, on a program from guest producer DAVID J. EGAN called DEEP DUB. Music is by JAH WOBBLE & MARCONI UNION, ORKUS, FINGERS IN THE NOISE, ECHO GRID, PURL & DEFLEKTION, LOSCIL, and MOTIONFIELD.

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