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PGM 1211R 'ELECTRON TRAVELER 4' : nov. 26-dec. 3

Flying...and Floating.

As a literal description of the experience, it goes back to the early days of popular electronic music and the early days of Hearts of Space. Over the years we've done programs called Floating Whispers, Floating Worlds, Floating Gardens, Floating Reveries, Floating Waves, Floating Winds, and yes, Flying and Floating 1, 2, and 3. 

Back then I said "flying music is rhythm-powered and moves through space, heading for worlds beyond; floating music is goal-free—ethereal, static, and timeless."

You know, I can't really add anything to that. We still enjoy expanding into unlimited virtual spaces, and yearn for the quiet pleasure of weightless suspension in time.

On this transmission of Hearts of Space, another journey in our electronic touring series, on a program called ELECTRON TRAVELER 4. Music is by ASCENDANT, KEVIN KELLER, ALPHA WAVE MOVEMENT, DWIGHT LOOP, MASSERGY, and ERIK WØLLO.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1301 'CONTEMPLATIONS' : nov. 19-26

For centuries, music has been used to lead listeners into deep, quiet meditative states. The goal of this music is healing, self-realization and spiritual communion. The 20th and 21st centuries have seen a steady growth of popular music to calm our hyper-stimulated nervous systems and support inner experience. Whether it's the sublime adagios of early classical music, the simple, consonant tonalities of New Age, the sophisticated orchestrations of contemporary sacred minimalism, or the expansive spatial experiences of ambient — we seek the pleasures and benefits of psychoactive sound.

On this transmission of Hearts of Space from longtime guest producer for classical and sacred music ELLEN HOLMES, a program called CONTEMPLATIONS, featuring music by MAX RICHTER, plus HANS ZIMMER, JAMI SIEBER, DIETRICH BUXTEHUDE, SIEUR de SAINTE-COLOMBE, ANTONIO VIVALDI, JORDI SAVALL & HESPERIAN XXI.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1300 'A BRIEF HISTORY OF DARK AMBIENT' : nov. 12-19

And so it has come to pass, dear spacefans, that in the dark days of late autumn in the year 2021, we arrive at the 1300th transmission of the HEARTS of SPACE series. I'm STEPHEN HILL, and befitting the occasion, it's another of our centennial specials called A BRIEF HISTORY OF DARK AMBIENT.

The term "dark ambient" was coined in the early 1990s by ROGER KARMANIK, founder of the record label Cold Meat Industry, to describe the music of RAISON d'ETRE and similar artists. The style is a gene-splicing of the Industrial, Ambient, Drone, and Noise genres, including the experimental side of early 1970s German electronic music — fondly dubbed 'Krautrock' — and the Industrial Music of the late 1970s & early 80s, such as the band THROBBING GRISTLE.

During the 1980s, LUSTMORD, NOCTURNAL EMISSIONS & ZOVIET FRANCE were among the first to create consistently dark ambient music, featuring low drones and distressed chorales, liberally seasoned with industrial noise and electronic special effects. In the early 1990s RAISON D'ETRE augmented the industrial imagery with medieval iconography.

During the late 80s & early 90s, a slower, more ethereal side of Gothic art rock emerged, called "ethereal wave" or "dark wave," including many of the early artists on the Projekt label. And an even more austere sub-genre called "Isolationist Ambient" arrived quietly in the 1990s, including the music of THOMAS KÖNER from Germany and BIOSPHERE from Norway.

It's Program 1300 : A BRIEF HISTORY OF DARK AMBIENT, on this transmission...of Hearts of Space. Music is by RAISON D'ETRE, POPOL VUH, LIGHTWAVE, VOICE OF EYE + LIFE GARDEN, THOMAS KÖNER, BIOSPHERE, BLACK TAPE FOR A BLUE GIRL, ROBERT RICH + B.LUSTMORD, TROUM, PAUL SCHÜTZE, and RHYTHM & NOISE.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1027R 'RUMINATIONS' : nov. 5-12

In the cooling nights of autumn, we return to the treasury of music on the German ECM Records label. For quality, consistency, and unity of vision, ECM has no peer. In the post-genre, trans-cultural world of ECM, the motto is "The Most Beautiful Sound Next to Silence."

It began in 1969 as Editions of Contemporary Music, focused on European jazz. In the course of over 1200 albums, the repertoire has broadened to include classical music both old and new on the ECM New Series, as well as innovative recordings of contemporary folk, world and experimental music.

Yet for all the breadth, depth and variety of the ECM repertoire, there are sonic and emotional streams that run through the entire catalog, the product of the refined sensibility and native perfectionism of ECM founder and producer MANFRED EICHER.

On this transmission of Hearts of Space, the introspective, atmospheric sound of ECM Records, on a program called RUMINATIONS. Music is by ELENI KARAINDROU, JOHN SURMAN, MIROSLAV VITOUS & JAN GARBAREK, EBERHARD WEBER, and EIVIND AARSET.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]