Electronic music is everywhere today, so it's surprising to learn that as a popular genre it's only about 50 years old. While the earliest examples go back to the late 19th century, until the 1960s electronic music was rare, expensive, and almost exclusively the domain of obscure academic and experimental musicians.
These early theorists realized that electronics would vastly expand the tones and timbres available to composers. This led to popular electronic versions of Bach and Debussy, and electro-acoustic combinations of conventional and electronic instruments. More seriously, it led to a revival of so-called "tone color" music, an evolution of the Romantic "tone poems" of Richard Strauss, Liszt, and Wagner — while more radical artists used electronics to create new forms of music that had never been heard before.
It all came together in the 1970s, when the advent of relatively affordable electronic synthesizers, drum machines, effects processors, and recording equipment fueled an era of rapid discovery, invention and innovation, and the beginning of popular electronic music. On this transmission of Hearts of Space, we look back at the sound of electronic music in the 1970s, on a program called ELECTRONIC FOSSILS. Music is by DOUG McKECHNIE, MICHAEL GARRISON, JEAN-MICHEL JARRE, TANGERINE DREAM, DEUTSCHE WERTARBEIT, LAURIE SPIEGEL, KLAUS SCHULZE, and ROBERT RICH.
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