hearts of space | news

PGM 1025R 'NOCTURNES' : sept.27 - oct.4

The first movement of BEETHOVEN's famous Piano Sonata No.14 in C Sharp Minor, better known as the "Moonlight Sonata." The nickname came from a German music critic in 1832 who impressionistically compared the effect to "moonlight shining on Lake Lucerne."

Beethoven intended it as a prelude, but in the score he instructed the performer to keep the sustain pedal down for the entire movement — a kind of special effect that mixed the music with natural harmonic reverberation from the piano. With its hypnotic triplets and ghostly melody, for Ambient music fans, it's one of the simplest, yet most memorable pieces ever written.

Beethoven may have inadvertently started a movement to redefine the piano as an instrument for contemplative, spatially expanded music, seeding the Impressionism of Debussy, the early ambient music of Satie, and laying the foundations of modern Minimalism.

On this transmission of Hearts of Space, a program of sublime night music for piano called NOCTURNES. Featured artists are MICHAEL DULIN, KEVIN KELLER, BRUCE LEVINGSTON, JENNY LIN, RALPH ZURMUHLE, LUDOVICO EINAUDI, and CHAD LAWSON.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1226 'TONE COLOR REVERIES' : sept. 20-27

It was ambient godfather BRIAN ENO who observed that, unlike conventional instruments with centuries of history, the synthesizer came "without any baggage." The synthesizer required the musician to consciously design the sounds they use, and thereby effectively define a new instrument, every time.

Ironically, this pointed back to a late Romantic genre of European classicism called "tone color" music, associated with German composers like WAGNER, STRAUSS and MAHLER, and French composers DEBUSSY and RAVEL, who all invented radical new kinds of orchestration. But where tone color music was a difficult stretch for conventional instruments, it's like the native language of synthesizers.

On this transmission of HEARTS of SPACE, a chromatic journey in the floating worlds of electronic spacemusic, on a program called TONE COLOR REVERIES. Music is by LONEWARD, DEEP SPACE, PAUL AVGERINOS, JARGUNA, and DAVID HELPLING.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1225 'DEVOTION' : sept. 13-20

From the world of traditional Hindu and Buddhist religion come practices focused on devotion—to god, to guru or to the divine itself. The Sanskrit word bhakti means practicing a path centered on emotional devotion as a spiritual principle and means of salvation. 

The adoption of Indian spirituality and culture by westerners after the 1960s famously led to yoga and meditation, and also to kirtan—group chanting of Indian devotional prayers — and later to new hybrids of western and Indian music. On this transmission of HEARTS of SPACE, the ardent sound of devotional chants and contemplative instrumentals, on a program called DEVOTION.

Music is by CRAIG PRUESS, HANS CHRISTIAN, ALAM KHAN, CONFLUENCE TRIO, WHITE SUN, MANEESH DE MOOR+SUDHA, AL GROMER KHAN, and DEVA PREMAL.

[ view program page ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

PGM 1117R 'PSYCHETRONIC SUMMER' : sept. 6-13

PSYCHEDELIC MUSIC was born in the 1960s, a predictable mutation of psychedelic drugs and popular culture. The roots of the word psychedelic mean "revealing the mind" — a revelation that turned out to be both colorful and unpredictable.

Psychedelic music aimed to reveal an expanded version of the mind, using audible distortion and warped perspective, sustained floating textures and drones, fractal repetitions and feedback, liberally seasoned with sounds from nature and exotic cultures, especially India.

As a trend, it ran its course in the 1960s, was revived in the 1970s, quoted lovingly by fashionable bands in the 80s and 90s, and became a core influence on millennial genres like Trip Hop, Shoegaze, Acid Jazz, Acid House, and the many varieties of Trance — to name a few. We just can't seem to quit it.

Like an aesthetic virus, the pure electronic form of psychedelic music invented in the 1960s and 70s infected musicians using sound as a vehicle for inner space travel and consciousness alteration. In a word: trippy.

Along the way, these sonic explorers found kindred spirits in archaic traditions like shamanism and pagan rituals. What began as free exploration with mind-bending chemicals ultimately became a quest for new modes of perception, psychological therapy, escape from the normal boundaries of self, and at its most extreme — visions and hallucinations at the borders of oblivion. These grassroots experiments paved the way for the massive tribal-Electronic Dance Music festivals of today, with their promise of transcending self through ecstatic group experience.

On this transmission of Hearts of Space, a journey in the altered soundscapes of psychedelic space, on a program called PSYCHETRONIC SUMMER.

Music is by THE FUTURE SOUND OF LONDON, SCANN-TEC, ISHQ, LIGHTWAVE, FORREST SMITHSON, CYBERNIUM (MICHEL HUYGEN & PASCAL LANGUIRAND), and CSILLAGKÖD.

[ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]